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000329533 010__ $$a  2002072543
000329533 020__ $$a9780313324666 (alk. paper)
000329533 020__ $$a0313324662 (alk. paper)
000329533 035__ $$a(OCoLC)ocm49991496
000329533 035__ $$a329533
000329533 040__ $$aDLC$$cDLC$$dYBM$$dSYB$$dBAKER$$dBTCTA$$dYDXCP$$dOCLCG
000329533 043__ $$an-us---
000329533 049__ $$aISEA
000329533 05000 $$aPS351$$b.E97 2003
000329533 08200 $$a812/.5209920693$$221
000329533 24500 $$aExperimenters, rebels, and disparate voices :$$bthe theatre of the 1920s celebrates American diversity /$$cedited by Arthur Gewirtz and James J. Kolb.
000329533 260__ $$aWestport, Conn. :$$bPraeger,$$c2003.
000329533 300__ $$axvii, 196 p. :$$bill. ;$$c24 cm.
000329533 440_0 $$aContributions in drama and theatre studies,$$x0163-3821 ;$$vno. 99
000329533 504__ $$aIncludes bibliographical references (p. [179]-181) and index.
000329533 50500 $$gIntroduction /$$rArthur Gewirtz,$$rJames J. Kolb --$$gPart I: Experimenters, rebels, and disparate voices --$$tSearching for "the big American play": The theatre guild produces John Howard Lawson's Processional /$$rBeverle Bloch --$$tThe idiosyncratic theatre of John Howard Lawson /$$rJohn D. Shout --$$tGlitzing the proletariat: John Howard Lawson's plays of the 1920s /$$rMichael C. O'Neill --$$tDirection by design(er): Robert Edmond Jones and the new Provincetown players /$$rJane T. Peterson --$$tGlitter, glitz, and race: The production of Harlem /$$rFreda Scott Giles --$$tDisparate voices: African American theatre critics of the 1920s /$$rFreda Scott Giles --$$tGarland Anderson and appearances: The playwright and his play /$$rAlan Kreizenbeck --$$tThe first serious dramas on Broadway by African American playwrights /$$rJeanne-Marie A. Miller --$$tTheatre and community: The significance of Howard University's 1920s drama program /$$rScott Zaluda --$$t"To doubt is fatal": Eva Le Gallienne and the civic repertory theatre, 1926-1932 /$$rEstelle Aden --$$tSophie Treadwell's play Machinal: Strategies of reception and interpretation /$$rKornelia Tancheva --$$tSophie Treadwell's summer with Boleslavsky and lectures for the American Laboratory Theatre /$$rJerry Dickey --$$tOn "The Verge" of a new form: The cabinet of Dr. Caligari and Susan Glaspell's experiments in The Verge /$$rSteven Frank --$$tThey knew what they wanted: American theatre's use of nonverbal communication codes to marginalize non-native characters in the 1920s /$$rBeverly Bronson Smith --$$tThe Poet Lore plays: A new Chinese voice ... but how new? /$$rDave Williams --$$gPart II: Theatre and set design --$$tAgainst the tide: Mordecai Gorelik and the New York Theatre of the 1920s - processional, Nirvana, the moon is a gong, and loudspeaker /$$rAnne Fletcher --$$t"Another revolution to be heard from": Jane Heap and the International Theatre Exposition of 1926 /$$rJohn Bell --$$tArchitecture for the twentieth century: Imagining the theatre in the 1920s /$$rWilliam F. Condee.
000329533 60010 $$aLawson, John Howard,$$d1894-1977$$xCriticism and interpretation.
000329533 650_0 $$aAmerican drama$$y20th century$$xHistory and criticism.
000329533 650_0 $$aAmerican drama$$xMinority authors$$xHistory and criticism.
000329533 650_0 $$aExperimental drama, American$$xHistory and criticism.
000329533 650_0 $$aTheater$$zUnited States$$xHistory$$y20th century.
000329533 650_0 $$aCultural pluralism in literature.
000329533 650_0 $$aDifference (Psychology) in literature.
000329533 650_0 $$aAfrican Americans in literature.
000329533 650_0 $$aEthnic groups in literature.
000329533 650_0 $$aMinorities in literature.
000329533 650_0 $$aDissenters in literature.
000329533 7001_ $$aGewirtz, Arthur.
000329533 7001_ $$aKolb, James J.,$$d1944-
000329533 85200 $$bgen$$hPS351$$i.E97$$i2003
000329533 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/fy041/2002072543.html
000329533 909CO $$ooai:library.usi.edu:329533$$pGLOBAL_SET
000329533 980__ $$aBIB
000329533 980__ $$aBOOK