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000329606 010__ $$a  2004061786
000329606 020__ $$a9780231133774 (pbk. : alk. paper)
000329606 020__ $$a0231133777 (pbk. : alk. paper)
000329606 020__ $$a9780231133760 (alk. paper)
000329606 020__ $$a0231133766 (alk. paper)
000329606 035__ $$a(OCoLC)ocm56753305
000329606 035__ $$a329606
000329606 040__ $$aDLC$$cDLC$$dC#P$$dUKM$$dVVC$$dBAKER$$dNLGGC$$dBTCTA$$dYDXCP$$dSTF$$dOCLCQ$$dISE
000329606 042__ $$apcc
000329606 043__ $$an-us---
000329606 049__ $$aISEA
000329606 05000 $$aPN1993.5.U6$$bD36 2005
000329606 08200 $$a384/.8/0973$$222
000329606 1001_ $$aDecherney, Peter.
000329606 24510 $$aHollywood and the culture elite :$$bHow the movies became American /$$cPeter Decherney.
000329606 260__ $$aNew York :$$bColumbia University Press,$$cc2005.
000329606 300__ $$ax, 269 p. :$$bill. ;$$c24 cm.
000329606 440_0 $$aFilm and culture
000329606 504__ $$aIncludes bibliographical references (p. [213]-251) and index.
000329606 5050_ $$aIntroduction : how film became art -- Vachel Lindsay and the Universal Film Museum -- Overlapping publics : Hollywood and Columbia University, 1915 -- Mandarins and Marxists : Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation -- The Museum of Modern Art and the roots of the cultural Cold War -- The politics of patronage : how the NEA (accidentally) created American avant-garde film -- Conclusion : the transformation of the studio system.
000329606 650_0 $$aMotion picture industry$$zUnited States$$xHistory.
000329606 650_0 $$aMotion pictures$$zUnited States$$xHistory.
000329606 650_0 $$aMotion pictures$$xSocial aspects$$zUnited States.
000329606 651_0 $$aUnited States$$xSocial life and customs$$y20th century.
000329606 85200 $$bgen$$hPN1993.5.U6$$iD36$$i2005
000329606 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/fy054/2004061786.html
000329606 909CO $$ooai:library.usi.edu:329606$$pGLOBAL_SET
000329606 980__ $$aBIB
000329606 980__ $$aBOOK