000331816 000__ 01110cam\a22002774a\4500 000331816 001__ 331816 000331816 005__ 20210513121811.0 000331816 008__ 090522s2009\\\\maua\\\\\b\\\\001\0\eng\\ 000331816 010__ $$a 2008055620 000331816 020__ $$a9780674033375 (alk. paper) 000331816 020__ $$a067403337X (alk. paper) 000331816 035__ $$a(OCoLC)ocn261175260 000331816 035__ $$a331816 000331816 040__ $$aDLC$$cDLC$$dBTCTA$$dYDXCP$$dUKM$$dC#P$$dBWX$$dCDX$$dVP@$$dISE 000331816 043__ $$an-us--- 000331816 049__ $$aISEA 000331816 05000 $$aML3790$$b.S88 2009 000331816 08200 $$a338.4/7780973$$222 000331816 1001_ $$aSuisman, David. 000331816 24510 $$aSelling sounds :$$bthe commercial revolution in American music /$$cDavid Suisman. 000331816 260__ $$aCambridge, Mass. :$$bHarvard University Press,$$c2009. 000331816 300__ $$a356 p. :$$bill. ;$$c25 cm. 000331816 504__ $$aIncludes bibliographical references (p. [289]-337) and index. 000331816 5050_ $$aWhen songs became a business -- Making hits -- Music without musicians -- The traffic in voices -- Musical properties -- Perfect pitch -- The black swan -- The musical soundscape of modernity. 000331816 650_0 $$aMusic trade$$zUnited States. 000331816 650_0 $$aMusic$$zUnited States$$xHistory and criticism. 000331816 85200 $$bgen$$hML3790$$i.S88$$i2009 000331816 909CO $$ooai:library.usi.edu:331816$$pGLOBAL_SET 000331816 980__ $$aBIB 000331816 980__ $$aBOOK