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000334165 010__ $$a  2009000065
000334165 019__ $$a261177530
000334165 020__ $$a9780521899765 (alk. paper)
000334165 020__ $$a0521899761 (alk. paper)
000334165 035__ $$a(OCoLC)ocn299280524
000334165 040__ $$aDLC$$cDLC$$dUKM$$dBTCTA$$dYDXCP$$dLGG$$dBWKUK$$dBWK$$dCDX$$dNLGGC$$dCUD$$dRID
000334165 049__ $$aISEA
000334165 05000 $$aPN1590.A9$$bK46 2009
000334165 08200 $$a791$$222
000334165 08200 $$a302.2308$$222
000334165 1001_ $$aKennedy, Dennis,$$d1940-
000334165 24514 $$aThe spectator and the spectacle :$$baudiences in modernity and postmodernity /$$cDennis Kennedy.
000334165 260__ $$aCambridge, UK ;$$aNew York :$$bCambridge University Press,$$c2009.
000334165 300__ $$ax, 249 p. :$$bill. ;$$c24 cm.
000334165 504__ $$aIncludes bibliographical references and index.
000334165 5050_ $$aIntroduction : assisting at the spectacle -- The director, the spectator and the Eiffel Tower -- The avant-garde and the audience -- Shakespeare and the Cold War -- The spectator as tourist -- Interculturalism and the global spectator -- The body of the spectator -- Society, spectacle and sport -- The aroused spectator -- Memory, performance and the idea of the museum -- Assisting belief : ritual and the spectator.
000334165 520__ $$aProvides a series of investigations into specific types of performance activity, and how they relate to audiences. Topics discussed include the relationship of audiences to the rise of the director, the avant-garde, tourism, gambling, the effect of cinema on live performance, and sport, including crowd violence.
000334165 650_0 $$aPerforming arts$$xAudiences.
000334165 650_0 $$aArts audiences.
000334165 85200 $$bgen$$hPN1590.A9$$iK46$$i2009
000334165 909CO $$ooai:library.usi.edu:334165$$pGLOBAL_SET
000334165 980__ $$aBIB
000334165 980__ $$aBOOK