TY  - GEN
N2  - "Surrealist manifestos often used the term 'revolution, ' so why do the paintings contain hardly anything explicitly political? Presented by art historian David Batchelor, this program looks at the relationship between Surrealism's stated political commitments and examples of Max Ernst's works produced under its tenets. Batchelor, along with Professor Dawn Ades of the University of Essex and Dr. Sarah Wilson of the Courtauld Institute of Art, closely examine a number of canvases exhibited at the Tate Gallery in 1991. A 1961 BBC interview with Ernst rounds out this program."--Container.
AB  - "Surrealist manifestos often used the term 'revolution, ' so why do the paintings contain hardly anything explicitly political? Presented by art historian David Batchelor, this program looks at the relationship between Surrealism's stated political commitments and examples of Max Ernst's works produced under its tenets. Batchelor, along with Professor Dawn Ades of the University of Essex and Dr. Sarah Wilson of the Courtauld Institute of Art, closely examine a number of canvases exhibited at the Tate Gallery in 1991. A 1961 BBC interview with Ernst rounds out this program."--Container.
T1  - Max Ernst and the Surrealist revolution
DA  - [2002]
CY  - Princeton, N.J. :
AU  - Ernst, Max,
AU  - Cooper, Jeremy,
AU  - Batchelor, David,
AU  - Ades, Dawn.
AU  - Wilson, Sarah,
CN  - N6888.E7
CN  - N6888.E7
PB  - Films for the Humanities & Sciences,
PP  - Princeton, N.J. :
PY  - [2002]
N1  - Videodisc release of a program originally produced in 1993 for the television series Modern art, practices & debates.
ID  - 336964
KW  - Surrealism.
TI  - Max Ernst and the Surrealist revolution
ER  -