000338492 000__ 01327cam\a2200289\a\4500 000338492 001__ 338492 000338492 005__ 20210513123144.0 000338492 008__ 080206s2008\\\\ilu\\\\\\b\\\\001\0\eng\\ 000338492 010__ $$a 2008005216 000338492 020__ $$a9780226734224 (alk. paper) 000338492 020__ $$a0226734226 (alk. paper) 000338492 035__ $$a(OCoLC)ocn192109604 000338492 040__ $$aDLC$$cDLC$$dBTCTA$$dBAKER$$dYDXCP$$dUKM$$dC#P$$dBWX$$dIXA$$dCDX 000338492 049__ $$aISEA 000338492 05000 $$aBH39$$b.S25195 2008 000338492 08200 $$a111/.85$$222 000338492 1001_ $$aSallis, John,$$d1938- 000338492 24510 $$aTransfigurements :$$bon the true sense of art /$$cJohn Sallis. 000338492 260__ $$aChicago :$$bUniversity of Chicago Press,$$c2008. 000338492 300__ $$axii, 192 p. ;$$c24 cm. 000338492 504__ $$aIncludes bibliographical references and index. 000338492 5050_ $$aThe invisibility of painting -- Nature's song -- Mixed arts -- Music and imagination -- Carnation and the eccentricity of painting -- Soundings -- Preposterous ascents: on comedy and philosophy -- The promise of art. 000338492 650_0 $$aAesthetics. 000338492 650_0 $$aArt$$xPhilosophy. 000338492 85200 $$bgen$$hBH39$$i.S25195$$i2008 000338492 85641 $$3Table of contents only$$uhttp://www.loc.gov/catdir/enhancements/fy0829/2008005216-t.html 000338492 85642 $$3Contributor biographical information$$uhttp://www.loc.gov/catdir/enhancements/fy0829/2008005216-b.html 000338492 85642 $$3Publisher description$$uhttp://www.loc.gov/catdir/enhancements/fy0829/2008005216-d.html 000338492 909CO $$ooai:library.usi.edu:338492$$pGLOBAL_SET 000338492 980__ $$aBIB 000338492 980__ $$aBOOK