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000338825 001__ 338825
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000338825 010__ $$a  2008032105
000338825 019__ $$a213301950
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000338825 020__ $$a0472116053
000338825 020__ $$a9780472033164 (pbk. : alk. paper)
000338825 020__ $$a0472033166 (pbk. : alk. paper)
000338825 035__ $$a(OCoLC)ocn320427288
000338825 035__ $$a338825
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000338825 049__ $$aISEA
000338825 05000 $$aML3518$$b.H68 2009
000338825 08200 $$a781.65/3$$222
000338825 1001_ $$aHowland, John Louis.
000338825 24510 $$a"Ellington uptown" :$$bDuke Ellington, James P. Johnson, & the birth of concert jazz /$$cJohn Howland.
000338825 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$cc2009.
000338825 300__ $$ax, 340 p., [8] p. of plates :$$bill., music ;$$c23 cm.
000338825 4901_ $$aJazz perspectives
000338825 504__ $$aIncludes bibliographical references and index.
000338825 5050_ $$aFrom Clorindy to Carnegie Hall : the Harlem entertainment community -- Jazz rhapsodies in black and white : James P. Johnson's Yamekraw -- "The blues get glorified" : Harlem entertainment, Negro nuances, and black symphonic jazz -- Ellingtonian extended composition and the symphonic jazz model -- "Harlem love song" : the symphonic aspirations of James P. Johnson, 1930-1945 -- "Carnegie blues" and the symphonic Ellington -- Conclusion : the legacy of Harlem's concert jazz.
000338825 60010 $$aEllington, Duke,$$d1899-1974$$xCriticism and interpretation.
000338825 60010 $$aJohnson, James P.$$q(James Price),$$d1894-1955$$xCriticism and interpretation.
000338825 650_0 $$aBig band music$$zNew York (State)$$zNew York$$xHistory and criticism.
000338825 650_0 $$aJazz$$xHistory and criticism.
000338825 830_0 $$aJazz perspectives (Ann Arbor, Mich.)
000338825 85200 $$bgen$$hML3518$$i.H68$$i2009
000338825 85641 $$3Table of contents only$$uhttp://www.loc.gov/catdir/toc/ecip0824/2008032105.html
000338825 909CO $$ooai:library.usi.edu:338825$$pGLOBAL_SET
000338825 980__ $$aBIB
000338825 980__ $$aBOOK