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000339142 001__ 339142
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000339142 05000 $$aPN1995.9.F44$$bG76 2009
000339142 08200 $$a791.43/6522$$222
000339142 1001_ $$aGrossman, Julie,$$d1962-
000339142 24510 $$aRethinking the femme fatale in film noir :$$bready for her close-up /$$cJulie Grossman.
000339142 260__ $$aBasingstoke, UK ;$$aNew York :$$bPalgrave Macmillan,$$c2009.
000339142 300__ $$axi, 176 p. :$$bill. ;$$c23 cm.
000339142 504__ $$aIncludes bibliographical references and index.
000339142 5050_ $$aIntroduction : "no one mourns the wicked" -- Film noir's "femmes fatales" : moving beyond gender fantasies -- "Well, aren't we ambitious? : desire, domesticity, and the "femme fatale" or "You're made up your mind I'm guilty" : the long reach of misreadings of woman as wicked in American film noir -- Psychological disorders and "wiretapping the unconscious" : film noir listens to women -- Looking back - Victorinoir: modern women and the fatal(e) progeny of Victorian representations -- Looking forward- deconstructing the "femme Fatale".
000339142 520__ $$a"In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the 'femme fatale' figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with 'bad' women"--Provided by publisher.
000339142 650_0 $$aFemmes fatales in motion pictures.
000339142 650_0 $$aFilm noir$$xHistory and criticism.
000339142 85200 $$bgen$$hPN1995.9.F44$$iG76$$i2009
000339142 909CO $$ooai:library.usi.edu:339142$$pGLOBAL_SET
000339142 980__ $$aBIB
000339142 980__ $$aBOOK