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Rewriting the past as cultural capital : sacred violence in Carme Riera's Dins el darrer blau
Reader/text solidarity in decoding the past in Carme Riera's La meitat de l'ànima
Women, writing, and the Spanish Civil War in La voz dormida by Dulce Chacón
The impossible invention of history and the hero in Javier Cercas's Soldados de Salamina and La velocidad de la luz
Television, simulacra, and power in three works by Ray Loriga
Textual violence and the hyperreal in De todo lo visible y lo invisible by Lucía Etxebarria
(Inter)textuality in José Ángel Mañas's Historias del Kronen and La pella.
Reader/text solidarity in decoding the past in Carme Riera's La meitat de l'ànima
Women, writing, and the Spanish Civil War in La voz dormida by Dulce Chacón
The impossible invention of history and the hero in Javier Cercas's Soldados de Salamina and La velocidad de la luz
Television, simulacra, and power in three works by Ray Loriga
Textual violence and the hyperreal in De todo lo visible y lo invisible by Lucía Etxebarria
(Inter)textuality in José Ángel Mañas's Historias del Kronen and La pella.