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000340253 001__ 340253
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000340253 010__ $$a  2009045647
000340253 020__ $$a9780803225282 (alk. paper)
000340253 020__ $$a0803225288 (alk. paper)
000340253 035__ $$a(OCoLC)ocn457150815
000340253 040__ $$aDLC$$cDLC$$dYDX$$dYDXCP$$dCDX$$dERASA$$dUKM$$dBWX
000340253 043__ $$an-us---
000340253 049__ $$aISEA
000340253 05000 $$aND237.R36$$bT38 2010
000340253 08200 $$a709.2$$222
000340253 1001_ $$aTatum, Stephen,$$d1949-
000340253 24510 $$aIn the Remington moment /$$cStephen Tatum.
000340253 260__ $$aLincoln [Neb.] :$$bUniversity of Nebraska Press,$$cc2010.
000340253 300__ $$axviii, 252 p. :$$bill. (some col.) ;$$c24 cm.
000340253 504__ $$aIncludes bibliographical references and index.
000340253 5050_ $$aIntroduction. In the Remington moment -- Looking at water. On Coming to the call (1905) -- Looking at sky. On With the eye of the mind (1908) -- Looking at fire. On The hunter's supper (c. 1909) --- Looking at Earth. On The outlier (1909) -- Coda. In the Remington moment, Part two; or, The love call.
000340253 60010 $$aRemington, Frederic,$$d1861-1909$$xCriticism and interpretation.
000340253 650_0 $$aArt and society$$zUnited States.
000340253 7001_ $$aRemington, Frederic,$$d1861-1909.
000340253 85200 $$bgen$$hND237.R36$$iT38$$i2010
000340253 909CO $$ooai:library.usi.edu:340253$$pGLOBAL_SET
000340253 980__ $$aBIB
000340253 980__ $$aBOOK