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000340406 010__ $$a  2009013341
000340406 020__ $$a9780231145312 (pbk. : alk. paper)
000340406 020__ $$a0231145314 (pbk. : alk. paper)
000340406 020__ $$a9780231145305 (alk. paper)
000340406 020__ $$a0231145306 (alk. paper)
000340406 035__ $$a(OCoLC)ocn318242699
000340406 035__ $$a340406
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000340406 0411_ $$afre$$heng
000340406 049__ $$aISEA
000340406 05000 $$aPQ2663.I9$$bA6 2010
000340406 08200 $$a848/.91409$$222
000340406 1001_ $$aCixous, Hélène,$$d1937-
000340406 24010 $$aWorks.$$kSelections.$$lEnglish.$$f2010
000340406 24514 $$aThe portable Cixous /$$cedited by Marta Segarra.
000340406 260__ $$aNew York :$$bColumbia University Press,$$cc2010.
000340406 300__ $$aix, 310 p. ;$$c23 cm.
000340406 440_0 $$aEuropean perspectives.
000340406 504__ $$aIncludes bibliographical references and index.
000340406 5050_ $$aHélène Cixous : blood and language -- Writing and dreaming the feminine. The laugh of the Medusa (1975) -- Coming to writing (1976) -- Tales of sexual difference (1990) -- The origins : Algeria and Germany. A real garden (1971) -- Osnabrück (1999) -- Letter-beings and time (2007) -- Love (and) the other. Lemonade everything was so infinite (1982) -- Love of the wolf (1994) -- On February 12, I committed an error (2005) -- The animal. Dedication to the ostrich (1988) -- Messiah (1996) -- My three-legged dog (2000) -- Derrida. Second skin (2001) -- On Style (a question to H. Cixous and J. Derrida) (2004) -- "Today" (2006) -- The theatre of Hélène Cixous : rememberings, refashionings, and revenants / Judith G. Miller. The name of Oedipus : song of the forbidden body, twelfth movement (1979) -- The Indiad or India of their dreams, act I, scene 2 (1988) -- Rouen, the thirtieth night of May '31, vignette 4 : the trial (2001) -- The blindfolded fiancée or Amelait, scenes 5 and 6 (2004).
000340406 520__ $$aHélène Cixous is more than an influential theorist. She is also a groundbreaking author and playwright. Combining an idiosyncratic mix of autobiographical and fictional narrative with a host of philosophical and poetic observations, Cixous's writing matches the kaleidoscopic nature of her thought, offering new ways of conceptualizing sex, relationships, identity, and the self, among other topics. Yet, as Jacques Derrida once observed, a "profound misunderstanding" hangs over the accomplishments of Cixous, with many believing the intellectual excelled only at theoretical exploration. Providing a truly liberal selection of her writings from throughout her career, Marta Segarra rediscovers Cixous's acts of invention for a new generation to enjoy. Divided into thematic concerns, these works fully capture Cixous's genius for merging fiction, theory, and the experience of living. They discuss dreaming in the feminine, Algeria and Germany, love and the other, the animal, Derrida, and the theater. They defy classification, locking literature, philosophy, and psychoanalysis into thrilling new patterns of engagement. Whether readers are familiar with Cixous or are approaching her thought for the first time, all will find fresh perspectives on gender, fiction, drama, philosophy, religion, and the postcolonial.
000340406 60010 $$aCixous, Hélène,$$d1937-$$xCriticism and interpretation.
000340406 7001_ $$aSegarra, Marta.
000340406 85200 $$bgen$$hPQ2663.I9$$iA6$$i2010
000340406 909CO $$ooai:library.usi.edu:340406$$pGLOBAL_SET
000340406 980__ $$aBIB
000340406 980__ $$aBOOK