000342480 000__ 02373cam\a2200349\a\4500 000342480 001__ 342480 000342480 005__ 20210513124028.0 000342480 008__ 090506s2009\\\\sw\a\\\\\b\\\\001\0\eng\c 000342480 020__ $$a9789188468116 000342480 020__ $$a9188468119 000342480 035__ $$a(OCoLC)ocn320799219 000342480 035__ $$a342480 000342480 040__ $$aBTCTA$$cBTCTA$$dYDXCP$$dBWX$$dUV0$$dOBE$$dSUC$$dALAUL$$dHEBIS$$dNLGGC 000342480 042__ $$apcc 000342480 049__ $$aISEA 000342480 050_4 $$aHM851$$b.Y68 2009 000342480 08204 $$a808.823 000342480 24504 $$aThe YouTube reader /$$ceds., Pelle Snickars, Patrick Vonderau. 000342480 260__ $$aStockholm :$$bNational Library of Sweden,$$c[2009]. 000342480 300__ $$a511 p. :$$bill. ;$$c24 cm. 000342480 4901_ $$aMediehistoriskt arkiv,$$x1654-6601 ;$$v12 000342480 504__ $$aIncludes bibliographical references and indexes. 000342480 5051_ $$aPart I: Mediality --- Part II: Usage --- Part III: Form --- Part IV: Storage --- Part V: Industry --- Part VI: Curatorship. 000342480 520__ $$a"When examining YouTube by way of metaphors such as the archive, the medium or the laboratory, one is immediately confronted with a number of inherent (and not easily solvable) conflicts and problems vying for more detailed answers. How does, for instance, the practice of open access relate to traditional archival standards, legal constraints, "old" media distribution and the entrepreneurial interests of the Google subsidiary? To what extent do clip aesthetics challenge traditional notions of, for example, textuality, episodic and serial narrative, documentary forms and also the very basic requirements of teaching and research? And what about the relationships between free-for-download video and mobile devices, between mashup software and patented hardware? How does the promise of empowering the "broadcasters of tomorrow" (YouTube) correspond to the realities of careers in broadcasting and film, to fan participation and management strategies? And finally: if YouTube is to be regarded as the world's largest archive, how do the texts and practices associated with its use work for and against cultural memory?" -- Introduction (p. 17). 000342480 63000 $$aYouTube (Electronic resource) 000342480 650_0 $$aInformation society. 000342480 650_0 $$aInternet videos$$xSocial aspects. 000342480 650_0 $$aOnline social networks$$xSocial aspects. 000342480 650_0 $$aInternet$$xSocial aspects. 000342480 7001_ $$aSnickars, Pelle. 000342480 7001_ $$aVonderau, Patrick. 000342480 830_0 $$aMediehistoriskt arkiv ;$$v12. 000342480 85200 $$bgen$$hHM851$$i.Y68$$i2009 000342480 909CO $$ooai:library.usi.edu:342480$$pGLOBAL_SET 000342480 980__ $$aBIB 000342480 980__ $$aBOOK