000343246 000__ 01157cam\a2200265\a\4500 000343246 001__ 343246 000343246 005__ 20210513124214.0 000343246 008__ 090319s2009\\\\enka\\\\\b\\\\001\0\eng\\ 000343246 020__ $$a9781861895219 000343246 020__ $$a1861895216 000343246 035__ $$a(OCoLC)ocn318873196 000343246 035__ $$a343246 000343246 040__ $$aUKM$$cUKM$$dBTCTA$$dBWKUK$$dYDXCP$$dCDX$$dUWW$$dGEBAY 000343246 042__ $$aukblcatcopy 000343246 049__ $$aISEA 000343246 050_4 $$aN7432.5.A78$$bM33 2009 000343246 08204 $$a704.08694$$222 000343246 1001_ $$aMaclagan, David,$$d1940- 000343246 24510 $$aOutsider art :$$bfrom the margins to the marketplace /$$cDavid Maclagan. 000343246 260__ $$aLondon :$$bReaktion Books,$$cc2009. 000343246 300__ $$a192 p. :$$bill. (cheifly col.) ;$$c21 cm. 000343246 504__ $$aIncludes bibliographical references and index. 000343246 5050_ $$a1. Art Brut and the Search for the Source of Creative Originality -- 2. Outsider Art and the Creative Role of Collecting -- 3. Art Brut and the Classic Period of Psychotic Art -- 4. Psychotic Art Today and Outsider Art -- 5. Doodling and Other Forms of Automatism -- 6. Problematic Introduction of Outsider Art into the Wider Art World. 000343246 650_0 $$aOutsider art$$xHistory. 000343246 650_0 $$aOutsider artists$$xPsychology. 000343246 85200 $$bgen$$hN7432.5.A78$$iM33$$i2009 000343246 909CO $$ooai:library.usi.edu:343246$$pGLOBAL_SET 000343246 980__ $$aBIB 000343246 980__ $$aBOOK