Machine generated contents note: List of Figures
List of Abbreviations
Notes on the Contributors
Introduction: 'What is now proved was once, only imagin'd'
H.Bruder &
T.Connolly
Pansexuality (regained)
H.Kidd
Blake and the Evolution of Same Sex Subjectivity
C.Z.Hobson
Blake and the Queering of Jouissance
R.C.Sha
Drawing Lines: Bodies, Sexualities and Performance in The Four Zoas
P.Otto
Anal Blake: Bringing Up the Rear in Blakean Criticism
E.Effinger
The Body of the Blasphemer
M.Myrone
Trannies, Amputees and Disco Queens: Blake and Contemporary Queer Art
J.Whittaker
'Real Acting': 'Felpham Billy' and Grayson Perry Try It On
H.Bruder
'Fear not / To unfold your dark visions of torment': Blake and Emin's Bad Sex Aesthetic
T.Connolly
'Woes &
... sighs': Fantasies of Slavery in Visions of the Daughters of Albion
B.Stevens
'The lineaments of desire': Blakes Visions of the Daughters of Albion and Romantic Literary Treatments of Rape
C.Jackson-Houlston
'Yet I am an identity / I wish &
feel &
weep &
groan': Blakes Sentimentalism as (Peri)Performative
S.Clark
'By a False Wife Brought to the Gates of Death': Blake, Politics and Transgendered Performances
D.Fallon
'No Boys Work': Blake, Hayley and the Triumphs of (Intellectual) Paiderastia
M.Crosby
'Hayley on his Toilette': Blake, Hayley and Homophobia
S.Matthews
'My little Cane Sofa and the Bust of Sappho': Elizabeth Iremonger and the female world of book-collecting
K.Davies
Works Cited
Index.