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000344101 010__ $$a  2010004262
000344101 020__ $$a9780226388250 (alk. paper)
000344101 020__ $$a0226388255 (alk. paper)
000344101 020__ $$a9780226388267 (pbk. : alk. paper)
000344101 020__ $$a0226388263 (pbk. : alk. paper)
000344101 035__ $$a(OCoLC)ocn511622233
000344101 040__ $$aICU/DLC$$cDLC$$dYDXCP$$dUKM$$dERASA
000344101 042__ $$apcc
000344101 049__ $$aISEA
000344101 05000 $$aN7480$$b.I84 2010
000344101 08200 $$a707.2/2$$222
000344101 1001_ $$aIversen, Margaret.
000344101 24510 $$aWriting art history :$$bdisciplinary departures /$$cMargaret Iversen and Stephen Melville.
000344101 260__ $$aChicago ;$$aLondon :$$bUniversity of Chicago Press,$$c2010.
000344101 300__ $$ax, 243 p. :$$bill. ;$$c24 cm.
000344101 504__ $$aIncludes bibliographical references and index.
000344101 5050_ $$aWhat's the matter with methodology? -- Historical distance (bridging and spanning) -- On the limits of interpretation: Dürer's Melencolia I -- What the formalist knows -- The spectator: Riegl, Steinberg, and Morris -- The gaze in perspective: Merleau-Ponty, Lacan, Damisch -- Seeing and reading: Lyotard, Barthes, Schapiro -- Plasticity: the Hegelian writing of art -- Curriculum.
000344101 520__ $$aSince art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
000344101 650_0 $$aArt$$xHistoriography.
000344101 650_0 $$aArt$$xHistory$$xPhilosophy.
000344101 7001_ $$aMelville, Stephen W.
000344101 85200 $$bgen$$hN7480$$i.I84$$i2010
000344101 909CO $$ooai:library.usi.edu:344101$$pGLOBAL_SET
000344101 980__ $$aBIB
000344101 980__ $$aBOOK