Linked e-resources

Details

Introduction: the spectacle of televised war
High concept, media conglomeration, and commercial news
The high-concept war narrative
Intertextuality, genres, and stars
War characters
The look and sound of high-concept war coverage
The marketing of the 2003 invasion of Iraq
Conclusion: the narrative exits screen right, the coverage fizzles, and news is what, exactly?

Browse Subjects

Show more subjects...

Statistics

from
to
Export