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000345747 010__ $$z  2006042005
000345747 020__ $$a9780262286053$$q(electronic book)
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000345747 020__ $$z9780262232494
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000345747 05014 $$aTK5105.875.I57$$bW5275 2006eb
000345747 08204 $$a004.67/8$$222
000345747 1001_ $$aWhite, Michele.
000345747 24514 $$aThe body and the screen$$h[electronic resource] :$$btheories of Internet spectatorship /$$cMichele White.
000345747 260__ $$aCambridge, Mass. :$$bMIT Press,$$cc2006.
000345747 300__ $$a1 online resource (xi, 307 p.) :$$bill.
000345747 500__ $$aDescription based on print version record.
000345747 504__ $$aIncludes bibliographical references (p. [273]-296) and index.
000345747 5050_ $$aThe body, the screen, and representations : an introduction to theories of Internet spectatorship -- Making Internet and computer spectators -- Visual pleasure through textual passages : gazing in multi-user object-oriented settings (MOOs) -- Too close to see, too intimate a screen : men, women, and Webcams -- The aesthetic of failure : confusing spectators with Net art gone wrong -- Can you read me? : setting-specific meaning in virtual places (VP) -- This is not photography, this is not a cohesive view : computer-facilitated imaging and fragmented spectatorship -- Afterword : the flat and the fold : a consideration of embodied spectatorship.
000345747 506__ $$aAccess limited to authorized users.
000345747 650_0 $$aArt and technology.
000345747 650_0 $$aCyberfeminism.
000345747 650_0 $$aHuman-computer interaction.
000345747 650_0 $$aInternet$$xPhilosophy.
000345747 77608 $$iPrint version:$$aWhite, Michele.$$tBody and the screen.$$dCambridge, Mass. : MIT Press, c2006$$z9780262232494$$w(DLC)  2006042005$$w(OCoLC)64453520
000345747 8520_ $$bacq
000345747 85280 $$bebk$$hProQuest Ebook Central
000345747 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3338654$$zOnline Access
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000345747 980__ $$aEBOOK
000345747 980__ $$aBIB
000345747 982__ $$aEbook
000345747 983__ $$aOnline