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History. When film was deaf (1895-1927)
Chaplin: three steps into speech
Birth of the talkies or of sound film? (1927-1935)
Jean Vigo: the material and the ideal
The ascendancy of king text (1935-1950)
Babel
The time it takes for time to "harden" (1950-1975)
The return of the sensorial (1975-1990)
The silence of the loudspeakers (1990-2003)
On a sequence from The birds: sound film as palimpsestic art
Aesthetics and poetics. Jacques Tati: the cow and the moo
The disappointed fairies around the cradle
The separation
The real and the rendered
The three borders
Audiovisual phrasing
Alfred Hitchcock: seeing and hearing
The twelve ears
Orson Welles: the voice and the house
The talking machine
Faces and speech
Andrei Tarkovsky: language and the world
The five powers
God is a disc jockey
Max Ophuls: music, noise, and speech
Like tears in rain.

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