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000347313 010__ $$a  2010008989
000347313 020__ $$a9781558498280 (alk. paper)
000347313 020__ $$a1558498281 (alk. paper)
000347313 020__ $$a9781558498297 (pbk. : alk. paper)
000347313 020__ $$a155849829X (pbk. : alk. paper)
000347313 035__ $$a(OCoLC)ocn475454212
000347313 035__ $$a347313
000347313 040__ $$aDLC$$cDLC$$dBTCTA$$dC#P$$dYDXCP$$dCDX$$dBWX$$dEEK$$dTDF
000347313 049__ $$aISEA
000347313 05000 $$aML3918.P67$$bS56 2010
000347313 08200 $$a306.4/842$$222
000347313 1001_ $$aSinnreich, Aram.
000347313 24510 $$aMashed up :$$bmusic, technology, and the rise of configurable culture /$$cAram Sinnreich.
000347313 260__ $$aAmherst :$$bUniversity of Massachusetts Press,$$cc2010.
000347313 300__ $$axxii, 241 p. :$$bill. ;$$c24 cm.
000347313 440_0 $$aScience/technology/culture.
000347313 504__ $$aIncludes bibliographical references and index.
000347313 5050_ $$aThe bust -- pt. I. When the mode of the music changes. Music as a controlled substance -- The modern framework -- The crisis of configurability -- pt. II. Drawing lines in the sand. Yes, but is it art?: the art/craft binary -- Some kid in his bedroom: the artist/audience binary -- Something borrowed, something new: the original/copy binary -- Live from a hard drive: The composition/performance binary -- Hooks and hearts: The figure/ground binary -- "He plays dictaphones, and she plays bricks": the materials/tools binary -- pt. III. The lessons: configurability and the new framework. Critique and co-optation -- "Plus ça change" or paradigm shift?
000347313 650_0 $$aPopular music$$xSocial aspects.
000347313 650_0 $$aMusic and technology.
000347313 650_0 $$aMashups (Music)$$xHistory and criticism.
000347313 650_0 $$aRemixes$$xHistory and criticism.
000347313 650_0 $$aTurntablism.
000347313 85200 $$bgen$$hML3918.P67$$iS56$$i2010
000347313 909CO $$ooai:library.usi.edu:347313$$pGLOBAL_SET
000347313 980__ $$aBIB
000347313 980__ $$aBOOK