000347650 000__ 03457cam\a2200337\a\4500 000347650 001__ 347650 000347650 005__ 20210513125031.0 000347650 008__ 090818s2010\\\\txua\\\\\b\\\\001\0\eng\\ 000347650 010__ $$a 2009033452 000347650 020__ $$a9780292722736 000347650 020__ $$a0292722737 000347650 035__ $$a(OCoLC)ocn432315150 000347650 035__ $$a347650 000347650 040__ $$aDLC$$cDLC$$dCDX$$dIXA$$dYDXCP$$dBWX$$dOLC$$dERASA$$dHEBIS$$dUPP$$dMNW$$dVP@ 000347650 043__ $$ae------$$an-us--- 000347650 049__ $$aISEA 000347650 05000 $$aPN2091.S8$$bB6755 2010 000347650 08200 $$a792.02/5094$$222 000347650 1001_ $$aBrockett, Oscar G.$$q(Oscar Gross),$$d1923-2010. 000347650 24510 $$aMaking the scene :$$ba history of stage design and technology in Europe and the United States /$$cOscar G. Brockett, Margaret Mitchell, Linda Hardberger. 000347650 260__ $$aSan Antonio, Tex. :$$bTobin Theatre Arts Fund,$$c2010. 000347650 300__ $$axi, 365 p. :$$bill. (chiefly col.) ;$$c32 cm. 000347650 504__ $$aIncludes bibliographical references and index. 000347650 5050_ $$aScenic design in ancient Greek and Roman theaters -- Medieval scenic design -- The Italian Renaissance -- Design in France and the Holy Roman Empire from 1640 to the early eighteenth century -- The influence of Scena per Angolo on eighteenth-century design -- Neoclassicism and romanticism: a rivalry of opposites -- Realism and naturalism -- Modernism -- American new stagecraft, Russian constructivism, epic theater, and the Bauhaus -- Post-World War II and the late twentieth century -- Epilogue: looking toward the twenty-first century. 000347650 520__ $$aTheatrical scene design is one of the world's most beautiful, varied, and lively art forms. Yet there are relatively few books on the subject and almost none for a general audience that combine expansive scholarship with lavish design. The work offers an unprecedented survey of the evolving context, theory, and practice of scene design from ancient Greek times to the present, coauthored by the world's best-known authority on the subject and enhanced by three hundred full-color illustrations. Individual chapters focus on Greece, Rome, Medieval Europe (including liturgical drama, street pageants, festival outdoor drama, Spanish religious drama, and royal entries), the Italian Renaissance, eighteenth-century Europe, classicism to romanticism, realism and naturalism, modernism, and contemporary scene design. Authors discuss everything from the effects of social status on theater design to the sea changes between classicism, romanticism, and naturalism and the influence of perspective-based techniques, from the classical deus ex machina and special effects in coliseums, to medieval roving stage wagons and the floating ships of the Renaissance, to the computerized practices of today's theaters. Each historical period also includes a discussion of the audience that attended these productions. Such ingenious techniques, interwoven with the sweeping beauty of scene design through the ages, combine with Oscar G. Brockett and Margaret Mitchell's keen scholarship to create a book as compelling as the art it showcases. 000347650 650_0 $$aTheaters$$xStage-setting and scenery$$zEurope$$xHistory. 000347650 650_0 $$aTheaters$$xStage-setting and scenery$$zUnited States$$xHistory. 000347650 7001_ $$aMitchell, Margaret,$$d1964- 000347650 7001_ $$aHardberger, Linda. 000347650 85200 $$bover$$hPN2091.S8$$iB6755$$i2010 000347650 85642 $$3Contributor biographical information$$uhttp://catdir.loc.gov/catdir/enhancements/fy1007/2009033452-b.html 000347650 85642 $$3Publisher description$$uhttp://catdir.loc.gov/catdir/enhancements/fy1007/2009033452-d.html 000347650 909CO $$ooai:library.usi.edu:347650$$pGLOBAL_SET 000347650 980__ $$aBIB 000347650 980__ $$aBOOK