000347660 000__ 01631cam\a2200301\a\4500
000347660 001__ 347660
000347660 005__ 20210513125033.0
000347660 008__ 090706s2009\\\\enkac\\\\b\\\\001\0\eng\\
000347660 020__ $$a9780521516921
000347660 020__ $$a0521516927
000347660 035__ $$a(OCoLC)ocn401145536
000347660 035__ $$a347660
000347660 040__ $$aUKM$$cUKM$$dBTCTA$$dYDXCP$$dBWKUK$$dNTE$$dVVC$$dGBVCP$$dGEBAY$$dU5D$$dCDX$$dUPM
000347660 042__ $$aukblcatcopy
000347660 043__ $$ae-uk---
000347660 049__ $$aISEA
000347660 050_4 $$aPR5824$$b.P69 2009
000347660 08204 $$a822.8$$222
000347660 1001_ $$aPowell, Kerry.
000347660 24510 $$aActing Wilde :$$bVictorian sexuality, theatre, and Oscar Wilde /$$cKerry Powell.
000347660 260__ $$aCambridge :$$bCambridge University Press,$$cc2009.
000347660 300__ $$ax, 204 p. :$$bill., ports. ;$$c24 cm.
000347660 504__ $$aIncludes bibliographical references and index.
000347660 5050_ $$aIntroduction: acting Wilde -- Posing and dis-posing: Oscar Wilde in America and beyond -- Pure Wilde: feminism and masculinity in Lady Windermere's Fan, Salome, and A women of no importance -- Performance anxiety in An ideal husband -- Performativity and history: Oscar Wilde and The importance of being Earnest -- The "lost" transcript, sexual acting, and the meaning of Wilde's trials -- Prison performativity.
000347660 5208_ $$aThis title demonstrates that Wilde's plays, fiction, and critical theory are organized by the idea that all so-called 'reality' is a mode of performance, and that the 'meanings' of life are really the scripted elements of a dramatic spectacle.
000347660 60010 $$aWilde, Oscar,$$d1854-1900$$vTrials, litigation, etc.
000347660 60010 $$aWilde, Oscar,$$d1854-1900$$xCriticism and interpretation.
000347660 650_0 $$aSelf in literature.
000347660 85200 $$bgen$$hPR5824$$i.P69$$i2009
000347660 909CO $$ooai:library.usi.edu:347660$$pGLOBAL_SET
000347660 980__ $$aBIB
000347660 980__ $$aBOOK