000347664 000__ 02955cam\a22003254a\4500 000347664 001__ 347664 000347664 005__ 20210513125033.0 000347664 008__ 081125s2009\\\\paua\\\\\b\\\s001\0\eng\\ 000347664 010__ $$a 2008050863 000347664 020__ $$a9780812241587 (alk. paper) 000347664 020__ $$a0812241584 (alk. paper) 000347664 035__ $$a(OCoLC)ocn277118383 000347664 035__ $$a347664 000347664 040__ $$aDLC$$cDLC$$dYDX$$dBTCTA$$dYDXCP$$dCDX$$dBWX$$dMNJ$$dUV0$$dUKM$$dLMR$$dEDK$$dGEBAY$$dVJN$$dIBS 000347664 043__ $$ae-uk-en 000347664 049__ $$aISEA 000347664 05000 $$aPR418.B66$$bK43 2009 000347664 08200 $$a820.9/357$$222 000347664 1001_ $$aKearney, James$$q(James Joseph) 000347664 24514 $$aThe incarnate text :$$bimagining the book in Reformation England /$$cJames Kearney. 000347664 260__ $$aPhiladelphia :$$bUniversity of Pennsylvania Press,$$cc2009. 000347664 300__ $$a312 p. :$$bill. ;$$c24 cm. 000347664 440_0 $$aMaterial texts. 000347664 504__ $$aIncludes bibliographical references and index. 000347664 5050_ $$aRelics of the mind : Erasmian humanism and textual presence -- Rewriting the letter : textual icons and linguistic artifacts in book I of The faerie queene -- Reading of the damned : Doctor Faustus and textual conversion -- Book, trinket, fetish : letters and mastery in The tempest -- Epilogue : Bacon's impossible book. 000347664 520__ $$aFrom the Publisher: In the course of the Reformation, artistic representation famously came under attack. Statues were destroyed, music and theater were forbidden, and poetry was denounced, all in the name of eradicating superstition and idolatry. The iconoclastic impulse that sparked these attacks, however, proved remarkably productive, generating a profusion of theological, polemical, and literary writing from Catholics and Protestants alike. Reformers like Luther had promised a return to the book, attacking Catholicism as a religion of images and icons. Becoming a religion of the book in the way that Reformers proposed, however, proved impossible: language is inescapably material; books are necessarily things, objects that are seen and touched. The antitheses at the heart of this opposition-word versus thing, text versus image-have had far-reaching effects on the modern world. James Kearney engages with recent work in the history of the book and the history of religion to investigate the crisis of the book occasioned by the Reformation's simultaneous faith in text and distrust of material forms. Drawing in a wide range of topics-from humanism and hermeneutics to secularization and enlightenment, from iconoclasm and anti-Semitism to barbarism and fetishism-and looking to a range of texts-including Erasmus's Jerome, Spenser's Faerie Queene, and Shakespeare's Tempest-The Incarnate Text tells the story of how this crisis of the book helped to change the way the modern world apprehends both texts and things. 000347664 650_0 $$aEnglish literature$$yEarly modern, 1500-1700$$xHistory and criticism. 000347664 650_0 $$aBooks in literature. 000347664 650_0 $$aIconoclasm in literature. 000347664 650_0 $$aReformation$$zEngland. 000347664 85200 $$bgen$$hPR418.B66$$iK43$$i2009 000347664 909CO $$ooai:library.usi.edu:347664$$pGLOBAL_SET 000347664 980__ $$aBIB 000347664 980__ $$aBOOK