000348617 000__ 01704cam\a2200289\a\4500 000348617 001__ 348617 000348617 005__ 20210513125236.0 000348617 008__ 090424s2009\\\\ctua\\\\\b\\\\001\0\eng\\ 000348617 010__ $$a 2009017329 000348617 020__ $$a9780300145670 (alk. paper) 000348617 020__ $$a0300145675 (alk. paper) 000348617 035__ $$a(OCoLC)ocn317471762 000348617 040__ $$aDLC$$cDLC$$dYDX$$dBTCTA$$dUKM$$dYDXCP$$dCDX$$dBWX$$dBON 000348617 049__ $$aISEA 000348617 05000 $$aNA500$$b.L48 2009 000348617 08200 $$a724$$222 000348617 1001_ $$aLevine, Neil,$$d1941- 000348617 24510 $$aModern architecture :$$brepresentation & reality /$$cNeil Levine. 000348617 260__ $$aNew Haven [Conn.] :$$bYale University Press,$$cc2009. 000348617 300__ $$ax, 364 p. :$$bill. (some col.) ;$$c29 cm. 000348617 504__ $$aIncludes bibliographical references and index. 000348617 5050_ $$aCastle Howard and the subject matter of history -- The appearance of truth and the truth of appearance in Laugier's primitive hut -- From imitation to abstraction in the neoclassicism of Boullée, Soane, and Schinkel -- Pugin, Labrouste, and the new realism of decorated construction -- Essays in the erosion of representation by Viollet-Le-Duc and Louis Sullivan -- Representation without history in the architecture of Frank Lloyd Wright -- The reemergence of representation out of abstraction in Mies van der Rohe -- The aesthetic of the unfinished and the example of Louis Kahn. 000348617 650_0 $$aArchitecture, Modern$$y18th century. 000348617 650_0 $$aArchitecture, Modern$$y19th century. 000348617 650_0 $$aArchitecture, Modern$$y20th century. 000348617 85200 $$bgen$$hNA500$$i.L48$$i2009 000348617 85642 $$3Contributor biographical information$$uhttp://catdir.loc.gov/catdir/enhancements/fy1012/2009017329-b.html 000348617 85642 $$3Publisher description$$uhttp://catdir.loc.gov/catdir/enhancements/fy1012/2009017329-d.html 000348617 909CO $$ooai:library.usi.edu:348617$$pGLOBAL_SET 000348617 980__ $$aBIB 000348617 980__ $$aBOOK