000348628 000__ 03560cam\a2200361\a\4500 000348628 001__ 348628 000348628 005__ 20210513125238.0 000348628 008__ 090107s2009\\\\ctua\\\\\bc\\\001\0\eng\\ 000348628 010__ $$a 2009000401 000348628 020__ $$a9780300148176 (alk. paper) 000348628 020__ $$a0300148178 (alk. paper) 000348628 035__ $$a(OCoLC)ocn298325750 000348628 035__ $$a348628 000348628 040__ $$aDLC$$cDLC$$dBTCTA$$dUKM$$dC#P$$dBWX$$dYBM$$dIXA$$dMOF$$dCDX$$dHEBIS$$dUKTTE$$dMNW 000348628 043__ $$an-us--- 000348628 049__ $$aISEA 000348628 05000 $$aN6537.O39$$bA4 2009 000348628 08200 $$a759.13$$222 000348628 1001_ $$aO'Keeffe, Georgia,$$d1887-1986. 000348628 24510 $$aGeorgia O'Keeffe :$$babstraction /$$cedited by Barbara Haskell ; with essays by Barbara Haskell ... [et al.] ; and contributions by Sasha Nicholas. 000348628 260__ $$aNew Haven :$$bYale University Press,$$cc2009. 000348628 300__ $$aix, 245 p. :$$bill. (chiefly col.) ;$$c29 cm. 000348628 500__ $$aPublished on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Sept. 17, 2009-Jan. 17, 2010, the Phillips Collection, Washington, D.C., Feb. 6-May 9, 2010, and the Georgia O'Keeffe Museum, Santa Fe, N.M., May 28-Sept. 12, 2010. 000348628 504__ $$aIncludes bibliographical references and index. 000348628 5050_ $$aGeorgia O'Keeffe: making the unknown-known / Barbara Haskell -- Plates: 1915-1919 -- O'Keeffe as abstraction / Elizabeth Hutton Turner -- Plates: 1920-1929 -- Useable form: O'Keeffe's materials, methods, and motifs / Bruce Robertson -- Plates: 1930-1963 -- Georgia O'Keeffe and abstraction: an uneasy peace / Barbara Buhler Lynes -- Plates: Georgia O'Keeffe: a portrait by Alfred Stieglitz, 1918-1922 -- Georgia O'Keeffe's letters to Alfred Stieglitz, 1916-1946 / selected by Sasha Nicholas -- Georgia O'Keeffe : a contextual chronology / Barbara Haskell and Sasha Nicholas. 000348628 520__ $$aAlthough Georgia O'Keefe (1887-1986) has long been celebrated as a central figure in twentieth-century art, the abstract works she created throughout her career have remained overlooked by critics and the public in favor of her representational subjects. In 1915, O'Keeffe leaped into abstraction with a group of charcoal drawings that were among the most radical works of art produced in the United States at that time. In these and subsequent abstractions, O'Keeffe sought to transcribe her ineffable thoughts and emotions. While her output of abstract work declined after 1930, she returned to abstraction in the mid-1940s with a new vocabulary that provided a precedent for a younger generation of abstractionists. By devoting itself to this largely unexplored area of her work, Georgia O'Keeffe: Abstraction is an overdue acknowledgment of her place as one of America's first abstract artists. In addition to rethinking O'Keefe's contribution to the development of abstract American art, this book chronicles the shifts and changes in subject matter and style over the span of her long career. It adds significant new insight into her work and life, reproducing excerpts of previously sealed letters written by O'Keeffe to photographer and gallerist Alfred Stieglitz, whom she married in 1924. These previously unpublished letters, along with other primary documents referenced by the authors, offer an intimate glimpse into her creative method and intentions as an artist. 000348628 60010 $$aO'Keeffe, Georgia,$$d1887-1986$$vExhibitions. 000348628 650_0 $$aArt, Abstract$$zUnited States$$vExhibitions. 000348628 7001_ $$aHaskell, Barbara. 000348628 7001_ $$aNicholas, Sasha. 000348628 7102_ $$aWhitney Museum of American Art. 000348628 7102_ $$aPhillips Collection. 000348628 7102_ $$aGeorgia O'Keeffe Museum. 000348628 85200 $$bgen$$hN6537.O39$$iA4$$i2009 000348628 909CO $$ooai:library.usi.edu:348628$$pGLOBAL_SET 000348628 980__ $$aBIB 000348628 980__ $$aBOOK