000348631 000__ 03105cam\a2200325\a\4500 000348631 001__ 348631 000348631 005__ 20210513125238.0 000348631 008__ 090401s2009\\\\ilua\\\\\b\\\\001\0\eng\c 000348631 010__ $$a 2009013809 000348631 020__ $$a9780226764313 (pbk. : alk. paper) 000348631 020__ $$a0226764311 (pbk. : alk. paper) 000348631 020__ $$a9780226764306 (alk. paper) 000348631 020__ $$a0226764303 (alk. paper) 000348631 035__ $$a(OCoLC)ocn268787791 000348631 035__ $$a348631 000348631 040__ $$aICU/DLC$$cDLC$$dBTCTA$$dUKM$$dC#P$$dCDX$$dBWX$$dYUS$$dCOO$$dUBY$$dNSB$$dGEBAY$$dIOE$$dOCLCQ 000348631 042__ $$apcc 000348631 049__ $$aISEA 000348631 05000 $$aN6497$$b.S65 2009 000348631 08200 $$a709.05$$222 000348631 1001_ $$aSmith, Terry$$q(Terry E.) 000348631 24510 $$aWhat is contemporary art? /$$cTerry Smith. 000348631 260__ $$aChicago :$$bThe University of Chicago Press,$$c2009. 000348631 300__ $$a329 p. :$$bill. ;$$c24 cm. 000348631 504__ $$aIncludes bibliographical references and index. 000348631 5050_ $$aContemporary art inside out -- Museums: modern/contemporary -- Remodernizing Manhattan -- Sublime-on-Hudson: Dia : Beacon now -- Sensation=Saatchi -- Contemporizing the Tate Modern -- Spectacles: architecture/sculpture -- The experience museum: Bilbao and beyond -- The intensity exhibit: Barneyworld at McGuggenheim -- Markets: global/local -- Going global: selling contemporary art -- From the desert to the fair -- Countercurrents: south/north -- The postcolonial turn -- Our otherness: the beauty of the animal -- Contemporaneity: times/places -- Taking time -- Art, truth, and politics -- An art historical hypothesis -- What is contemporary art? 000348631 520__ $$aWho gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today's multifaceted definition, the author brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? She argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, she reveals, postcolonial artists are engaged in a different kind of practice: one that builds on local concerns and tackles questions of identity, history, and globalization. A younger generation embodies yet a third approach to contemporaneity by investigating time, place, mediation, and ethics through small-scale, closely connective art making. Inviting readers into these diverse yet overlapping art worlds, the author offers a behind-the-scenes introduction to the institutions, the personalities, the biennials, and of course the works that together are defining the contemporary. The resulting map of where art is now illuminates not only where it has been but also where it is going. 000348631 650_0 $$aArt, Modern$$y21st century$$xHistory and criticism. 000348631 650_0 $$aAesthetics, Modern$$y21st century. 000348631 77608 $$iOnline version:$$aSmith, Terry (Terry E.)$$tWhat is contemporary art?$$dChicago : The University of Chicago Press, 2009$$w(OCoLC)616884493 000348631 85200 $$bgen$$hN6497$$i.S65$$i2009 000348631 909CO $$ooai:library.usi.edu:348631$$pGLOBAL_SET 000348631 980__ $$aBIB 000348631 980__ $$aBOOK