000348741 000__ 02942cam\a2200349\a\4500 000348741 001__ 348741 000348741 005__ 20210513125257.0 000348741 008__ 090803s2010\\\\ctua\\\\\b\\\\001\0\eng\\ 000348741 010__ $$a 2009031174 000348741 020__ $$a9780300145779 (alk. paper) 000348741 020__ $$a0300145772 (alk. paper) 000348741 035__ $$a(OCoLC)ocn429750100 000348741 040__ $$aDLC$$cDLC$$dYDX$$dBWX$$dYDXCP$$dCDX$$dUKM$$dNLGGC$$dHEBIS$$dERASA$$dALAUL 000348741 043__ $$an-us--- 000348741 049__ $$aISEA 000348741 05000 $$aPN1995.9.W4$$bP53 2010 000348741 08200 $$a791.43/6278$$222 000348741 1001_ $$aPippin, Robert B.,$$d1948- 000348741 24510 $$aHollywood westerns and American myth :$$bthe importance of Howard Hawks and John Ford for political philosophy /$$cRobert B. Pippin. 000348741 24630 $$aImportance of Howard Hawks and John Ford for political philosophy 000348741 260__ $$aNew Haven [Conn.] :$$bYale University Press,$$cc2010. 000348741 300__ $$ax, 198 p. :$$bill. (some col.) ;$$c22 cm. 000348741 4901_ $$aCastle lectures in ethics, politics, and economics 000348741 504__ $$aIncludes bibliographical references and index. 000348741 5050_ $$aIntroduction -- Red River and the right to rule -- Who cares who shot Liberty Valance? : the heroic and the prosaic in The man who shot Liberty Valance -- Politics and self-knowledge in The searchers -- Conclusion. 000348741 520__ $$a"In this pathbreaking book one of America's most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks' "Red River" and John Ford's "The Man Who Shot Liberty Valance" and "The Searchers". Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its 'second founding', or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gain some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state's claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected. Pippin's account of the best Hollywood Westerns brings this genre into the centre of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favour of a limited concern with the question of legitimacy." -- Book jacket. 000348741 60010 $$aHawks, Howard,$$d1896-1977$$xCriticism and interpretation. 000348741 60010 $$aFord, John,$$d1894-1973$$xCriticism and interpretation. 000348741 650_0 $$aWestern films$$xHistory and criticism. 000348741 650_0 $$aNational characteristics, American, in motion pictures. 000348741 650_0 $$aPolitics in motion pictures. 000348741 830_0 $$aCastle lectures in ethics, politics, and economics. 000348741 85200 $$bgen$$hPN1995.9.W4$$iP53$$i2010 000348741 909CO $$ooai:library.usi.edu:348741$$pGLOBAL_SET 000348741 980__ $$aBIB 000348741 980__ $$aBOOK