TY  - BOOK
AB  - "While scholars have long noted the fascination with Roman literature and history expressed by many preeminent British cultural figures of the early and middle eighteenth century, they have only sparingly commented on the increasingly vexed role Rome played during the subsequent Romantic period. This critical oversight has skewed our understanding of British Romanticism as being either a full-scale rejection of classical precedents or an embrace of Greece at the expense of Rome. In contrast, Romantic Antiquity argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understanding of the Roman past for Romantic writers; transformative because Rome became the locus for new understandings of historicity itself and therefore a way to comprehend changes associated with modernity. The book positions Rome as central to a variety of literary events, including the British response to the French Revolution, the Jacobin novel, Byron's late rejection of Romantic poetics, Shelley's Hellenism, and the London theater, where, author Jonathan Sachs argues, the staging of Rome is directly responsible for Hazlitt's understanding of poetry as antidemocratic, or "right royal."" "By exposing how Roman references helped structure Romantic poetics and theories of the imagination, and how this aesthetic work, in turn, impacted fundamental aspects of political modernity like mass democracy and the spread of empire, the book recasts how we view the presence of antiquity in a modernity with which we continue to struggle."--BOOK JACKET.
AU  - Sachs, Jonathan,
CN  - PR457
CN  - PR457
CY  - Oxford ;
CY  - New York :
DA  - 2010.
ID  - 349047
KW  - English literature
KW  - English literature
KW  - History in literature.
KW  - Politics and literature
KW  - Politics and literature
KW  - English literature
KW  - Romanticism
LK  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-b.html
LK  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-d.html
LK  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-t.html
N2  - "While scholars have long noted the fascination with Roman literature and history expressed by many preeminent British cultural figures of the early and middle eighteenth century, they have only sparingly commented on the increasingly vexed role Rome played during the subsequent Romantic period. This critical oversight has skewed our understanding of British Romanticism as being either a full-scale rejection of classical precedents or an embrace of Greece at the expense of Rome. In contrast, Romantic Antiquity argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understanding of the Roman past for Romantic writers; transformative because Rome became the locus for new understandings of historicity itself and therefore a way to comprehend changes associated with modernity. The book positions Rome as central to a variety of literary events, including the British response to the French Revolution, the Jacobin novel, Byron's late rejection of Romantic poetics, Shelley's Hellenism, and the London theater, where, author Jonathan Sachs argues, the staging of Rome is directly responsible for Hazlitt's understanding of poetry as antidemocratic, or "right royal."" "By exposing how Roman references helped structure Romantic poetics and theories of the imagination, and how this aesthetic work, in turn, impacted fundamental aspects of political modernity like mass democracy and the spread of empire, the book recasts how we view the presence of antiquity in a modernity with which we continue to struggle."--BOOK JACKET.
PB  - Oxford University Press,
PP  - Oxford ;
PP  - New York :
PY  - 2010.
SN  - 9780195376128
SN  - 0195376129
T1  - Romantic antiquity :Rome in the British imagination, 1789-1832 /
TI  - Romantic antiquity :Rome in the British imagination, 1789-1832 /
UR  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-b.html
UR  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-d.html
UR  - http://catdir.loc.gov/catdir/enhancements/fy1007/2009003973-t.html
ER  -