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000349102 001__ 349102
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000349102 008__ 910226s1992\\\\enka\\\\\b\\\\001\0\eng\\
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000349102 05000 $$aNB615$$b.O48 1992
000349102 08200 $$a730/.945/09024$$220
000349102 1001_ $$aOlson, Roberta J. M.
000349102 24510 $$aItalian Renaissance sculpture /$$cRoberta J.M. Olson.
000349102 260__ $$aLondon :$$bThames and Hudson,$$cc1992.
000349102 300__ $$a216 p. :$$bill. (some col.) ;$$c21 cm.
000349102 4901_ $$aWorld of art
000349102 504__ $$aIncludes bibliographical references and index.
000349102 5050_ $$aIntroduction: Setting the Scene -- 1. The First Stage of the Renaissance -- 2. The Mature Renaissance: Beginning the Second Stage -- 3. The Spread of the Renaissance -- 4. Donatello: The Great Innovator -- 5. Sculpture in Mid-Fifteenth Century Florence -- 6. Embellishment: Late Quattrocento Florence -- 7. Renaissance Fever outside Florence, 1450-1500 -- 8. The High Renaissance -- 9. Michelangelo -- 10. The Sixteenth Century and the Legacy of Michelangelo.
000349102 520__ $$aThe sculptors of the Italian Renaissance transformed their Classical and regional heritage. From about 1260 to 1600, these masters introduced revolutionary innovations in freestanding figures and portraits, while on reliefs convincing perspective was rendered for the first time, predating its use in painting. The Renaissance notion of the artist as genius is vividly embodied in contemporary sculptors, from Nicola Pisano through Brunelleschi and Donatello to Michelangelo.
000349102 520__ $$aand Giambologna. Roberta Olson surveys the extraordinary artistic achievements of the period, which were to affect for ever after the practice of Western art.
000349102 650_0 $$aSculpture, Italian.
000349102 650_0 $$aSculpture, Renaissance$$zItaly.
000349102 830_0 $$aWorld of art.
000349102 85200 $$bgen$$hNB615$$i.O48$$i1992
000349102 909CO $$ooai:library.usi.edu:349102$$pGLOBAL_SET
000349102 980__ $$aBIB
000349102 980__ $$aBOOK