000349120 000__ 02486cam\a2200289\a\4500 000349120 001__ 349120 000349120 005__ 20210513125347.0 000349120 008__ 990225s2000\\\\nyuab\\\\b\\\\001\0\eng\\ 000349120 010__ $$a 99070939 000349120 020__ $$a9780500203286 (pbk.) 000349120 020__ $$a0500203288 (pbk.) 000349120 035__ $$a(OCoLC)ocm42039553 000349120 035__ $$a349120 000349120 040__ $$aDLC$$cDLC$$dUKM$$dBOS$$dC#P$$dSDA$$dLVB$$dXY4$$dBTCTA$$dBAKER$$dYDXCP$$dZWZ 000349120 043__ $$af------ 000349120 049__ $$aISEA 000349120 05000 $$aN7380$$b.K36 2000 000349120 08200 $$a709/.6/09045$$221 000349120 1001_ $$aKasfir, Sidney Littlefield. 000349120 24510 $$aContemporary African art /$$cSidney Littlefield Kasfir. 000349120 260__ $$aNew York, N.Y. :$$bThames and Hudson,$$c2000. 000349120 300__ $$a224 p. :$$bill. (some col.), col. map ;$$c21 cm. 000349120 440_0 $$aWorld of art. 000349120 504__ $$aIncludes bibliographical references and index. 000349120 5050_ $$aNew genres: inventing African popular culture -- Transforming the workshop -- Patrons and mediators -- Art and commodity -- The African artist: shifting identities in the postcolonial world -- The idea of a national culture: decolonizing African art -- Migration and displacement. 000349120 520__ $$aThis pioneering history examines the major themes and accomplishments in African art from the past fifty years, achieving an impressive balance between the critical reexamination of frequently discussed artists, groups and workshops and the introduction of less publicized or more recent material. Postcolonial art in Africa has built seamlessly upon already existing structures in which the older, precolonial and colonial genres of African art were made. It is in this sense, and in the habits and attitudes of artists towards making art, rather than in any adherence to a particular style, medium, technique, or thematic range, that the art is recognizably African. Beginning in the early 1950s, the transformations in patronage, training and literacy brought about the birth of new genres which have been propelled onto a world stage. This critical history examines the major themes and accomplishments in African art from the past fifty years, achieving an impressive balance between the critical reexamination of frequently discussed artists, groups, and workshops and the introduction of less publicized or more recent material. Author has taught, curated, and carried out extensive filed research in Nigeria, Uganda, and Kenya, and has made briefer research trips to nine other African countries for her research. 000349120 650_0 $$aArt, African$$y20th century. 000349120 85200 $$bgen$$hN7380$$i.K36$$i2000 000349120 909CO $$ooai:library.usi.edu:349120$$pGLOBAL_SET 000349120 980__ $$aBIB 000349120 980__ $$aBOOK