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000349215 035__ $$a(OCoLC)ocm31301317
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000349215 05004 $$aN6465.R6$$bV38 1994
000349215 08200 $$a709/.03/42$$220
000349215 1001_ $$aVaughan, William,$$d1943-
000349215 24010 $$aRomantic art
000349215 24510 $$aRomanticism and art /$$cWilliam Vaughan.
000349215 260__ $$aLondon :$$bThames and Hudson,$$cc1994.
000349215 300__ $$a288 p. :$$bill. (some col.) ;$$c21 cm.
000349215 4901_ $$aWorld of art
000349215 500__ $$aPreviously published as: Romantic art. London : Thames and Hudson, 1978.
000349215 504__ $$aIncludes bibliographical references and index.
000349215 5050_ $$a1. Attitudes and ambiguities -- 2. Hope and fear -- 3. The heroic era -- 4. The medieval revival -- 5. Transcendent landscapes -- 6. 'Natural painture' -- 7. Sensation -- 8. 'Romanticizing the world'.
000349215 520__ $$aIn the age of revolutions, at the end of the eighteenth century, the mental and spiritual life of North America and Europe began to undergo a historic and irreversible change. The ideas of spontaneity, direct expression and natural feeling transformed the arts, encouraging artists to explore the extremes in human nature, from heroism to insanity and despair. Widely praised on its previous appearance as Romantic Art and now revised, William Vaughan's classic study analyzes the achievement of the leading artists of the age - masters such as Goya, Blake, Gericault, Turner and Delacroix - and sets in context a host of fascinating figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Pugin, Bingham and many more. The result is an invaluable account of a dramatic and contradictory artistic epoch.
000349215 650_0 $$aRomanticism in art.
000349215 650_0 $$aArt, Modern$$y19th century.
000349215 830_0 $$aWorld of art.
000349215 85200 $$bgen$$hN6465.R6$$iV38$$i1994
000349215 909CO $$ooai:library.usi.edu:349215$$pGLOBAL_SET
000349215 980__ $$aBIB
000349215 980__ $$aBOOK