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000349217 05000 $$aN6772$$b.M18 2000
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000349217 1001_ $$aMacdonald, Murdo,$$d1955-
000349217 24510 $$aScottish art /$$cMurdo Macdonald.
000349217 260__ $$aNew York, N.Y. :$$bThames & Hudson,$$c2000.
000349217 300__ $$a224 p. :$$bill. (some col.) ;$$c21 cm.
000349217 440_0 $$aWorld of art.
000349217 504__ $$aIncludes bibliographical references and index.
000349217 5050_ $$aCh. 1. Prehistory and Early History. The First Art. The Early Celts. The Influence of Rome -- Ch. 2. The Development of Christian Art. Picts and Gaels. Northumbrians. Books and Crosses. The Lordship of the Isles and the West Highland School of Sculpture -- Ch. 3. Loss and Reconstruction. Reformation and Rough Wooing. George Jamesone and the Rebirth of Scottish Painting. A Grammar of Painting in Place -- Ch. 4. Classicism and Celticism. A Landscape made Classical. Artists and Intelligentsia. Hamilton's Iliad. The Origin of Painting. Runciman's Ossian -- Ch. 5. Art and Philosophy. Henry Raeburn and Alexander Nasmyth. Interpreting the Enlightenment: David Wilkie. Towards a National School of Sculpture -- Ch. 6. Nineteenth-Century Narratives. Hispanicism, Orientalism and Scottish History. Painting, Religion, Photography. Wilderness as Backdrop. Looking Inward: David Scott and William Bell Scott. Artists and Antiquarians. Robert Scott Lauder and his Students. Heroes and Monuments -- Ch. 7. Modernity and Revivals. The Glasgow School of Painting. Mackintosh's Glasgow. Photography and Etching. Arts, Crafts and Celtic Revival in Edinburgh -- Ch. 8. Twentieth-Century Pluralism. The Colourists. The Edinburgh Group. The Scottish National War Memorial. James Cowie and his Influence. Experimental Landscape. Glasgow in the 1930s and 1940s. Post-War Diversity -- Epilogue: Deconstructing Stereotypes and Reappropriating Symbols.
000349217 520__ $$aThis volume discusses the distinctive personalities & individual genius that have formed the character of Scottish art & is particularly opportune at a time when the issue & nature of Scottish identity have come to the foreground. Annotation. A well-illustrated compendium, from prehistory through the 20th century, tracing the themes and ideas that Scottish artists have continually returned to, forming an overarching culture that is studded with distinct and colorful personalities. It's a vivid history, though the edition's small type, particularly in the faint sans-serif captions, is hard on older eyes. Macdonald, a painter, teaches the history of Scottish art at the U. of Dundee.
000349217 650_0 $$aArt, Scottish.
000349217 650_0 $$aArt$$zScotland.
000349217 85200 $$bgen$$hN6772$$i.M18$$i2000
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000349217 980__ $$aBIB
000349217 980__ $$aBOOK