000349676 000__ 02766cam\a22003734a\4500 000349676 001__ 349676 000349676 005__ 20210513125518.0 000349676 008__ 060515s2007\\\\caua\\\\\b\\\s001\0\eng\\ 000349676 010__ $$a 2006016240 000349676 020__ $$a9780520246409 (alk. paper) 000349676 020__ $$a0520246403 (alk. paper) 000349676 035__ $$a(OCoLC)ocm69028069 000349676 035__ $$a349676 000349676 040__ $$aDLC$$cDLC$$dBAKER$$dBTCTA$$dUKM$$dC#P$$dYDXCP$$dPUL$$dCOO$$dUBY$$dOCLCA$$dMOF$$dIG#$$dEIP$$dCDX$$dHEBIS 000349676 042__ $$apcc 000349676 043__ $$ae-fr--- 000349676 049__ $$aISEA 000349676 05000 $$aNX650.M296$$bL94 2007 000349676 08200 $$a709.04/063$$222 000349676 1001_ $$aLyford, Amy,$$d1963- 000349676 24510 $$aSurrealist masculinities :$$bgender anxiety and the aesthetics of post-World War I reconstruction in France /$$cAmy Lyford. 000349676 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2007. 000349676 300__ $$axiv, 237 p. :$$bill. ;$$c24 cm. 000349676 504__ $$aIncludes bibliographical references and index. 000349676 5050_ $$aIntroduction -- Anxiety and perversion in postwar Paris -- The aesthetics of dismemberment -- The advertisement of emasculation -- Man Ray, Lee Miller, and the photography of surrealist sexuality -- The lessons of Barbette -- Conclusion: on masculinity and reconstruction. 000349676 520__ $$a"Surrealist Masculinities offers a fresh exploration of how surrealist visual production was shaped by constructions of gender and sexuality, particularly masculinity, in the 1920s and early 1930s. Amy Lyford builds on feminist critical approaches to surrealism, which have by and large viewed the female body in surrealism as symptomatic of male misogyny; yet she also departs from such work by arguing that representations of an anxious, ambivalent, or perverse masculinity were integral to the movement's critique of France's "return to order" in the years following World War I. Featuring images that have never before been published, as well as new archival work on the origins and theory of surrealist visual production, this book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated contemporary medical science, advertising, and sexology in their quest to undermine the status quo." http://www.loc.gov/catdir/enhancements/fy0702/2006016240-d.html. 000349676 650_0 $$aMasculinity in art. 000349676 650_0 $$aHuman figure in art. 000349676 650_0 $$aSurrealism$$zFrance. 000349676 650_0 $$aArts$$zFrance$$zParis. 000349676 650_0 $$aWorld War, 1914-1918$$xPsychological aspects. 000349676 85200 $$bgen$$hNX650.M296$$iL94$$i2007 000349676 85642 $$3Publisher description$$uhttp://catdir.loc.gov/catdir/enhancements/fy0702/2006016240-d.html 000349676 85641 $$3Table of contents only$$uhttp://catdir.loc.gov/catdir/enhancements/fy0702/2006016240-t.html 000349676 85642 $$3Contributor biographical information$$uhttp://catdir.loc.gov/catdir/enhancements/fy0735/2006016240-b.html 000349676 909CO $$ooai:library.usi.edu:349676$$pGLOBAL_SET 000349676 980__ $$aBIB 000349676 980__ $$aBOOK