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Introduction : the destined livery? : tragedy, performance, subject and spectator
Part I. Realism and reinscription
What we are, but not what we may be : the feminist Ophelia and the (re)production of gender
An actor in the main of all : individual and relational selves in The Duchess of Malfi
The natural father and the imaginary daughter : patriarchy as realism and representation in Titus
Part II. Performance and performativity
"Let me forget myself" : what a queen is good for in Edward II
Death and the married maiden : gender reproduction as destruction in The broken heart
Tricked like a bride : a new traffic in A woman killed with kindness
Conclusion : cultural drag; or, Hamlet and Ophelia redux.

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