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000350083 001__ 350083
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000350083 008__ 090601s2010\\\\maua\\\\\b\\\\001\0\eng\\
000350083 010__ $$a  2009022527
000350083 020__ $$a9780262026475 (alk. paper)
000350083 020__ $$a0262026473 (alk. paper)
000350083 035__ $$a(OCoLC)ocn373058731
000350083 035__ $$a350083
000350083 040__ $$aDLC$$cDLC$$dYDX$$dERASA$$dUKM$$dYDXCP$$dNYP$$dBWX$$dIAY$$dGEBAY$$dWAU$$dCTB$$dCDX$$dORX
000350083 043__ $$an-us---
000350083 049__ $$aISEA
000350083 05000 $$aND237.L627$$bB33 2010
000350083 08200 $$a759.13$$222
000350083 1001_ $$aBader, Graham.
000350083 24510 $$aHall of mirrors :$$bRoy Lichtenstein and the face of painting in the 1960s /$$cGraham Bader.
000350083 260__ $$aCambridge, MA :$$bMIT Press,$$cc2010.
000350083 300__ $$axxxiv, 258 p. :$$bill. ;$$c24 cm.
000350083 500__ $$a"October books."
000350083 504__ $$aIncludes bibliographical references and index.
000350083 5050_ $$aIntroduction : counterfeit -- Lichtenstein before pop -- Donald's numbness -- The face and its tic -- Instrumentalized aesthetics, or, Lichtenstein's spectatorial turn -- Conclusion.
000350083 60010 $$aLichtenstein, Roy,$$d1923-1997$$xCriticism and interpretation.
000350083 650_0 $$aMirrors in art.
000350083 650_0 $$aPop art$$zUnited States.
000350083 85200 $$bgen$$hND237.L627$$iB33$$i2010
000350083 909CO $$ooai:library.usi.edu:350083$$pGLOBAL_SET
000350083 980__ $$aBIB
000350083 980__ $$aBOOK