000350511 000__ 04237cgm\a2200505Ma\4500 000350511 001__ 350511 000350511 005__ 20210513125720.0 000350511 007__ vd\cvaizn 000350511 008__ 070829s2006\\\\vau540\\\\\\\\\\\\vleng\d 000350511 019__ $$a710047388 000350511 020__ $$a1598032704 000350511 020__ $$a9781598032703 000350511 02842 $$aID700A-01$$bTeaching Company (v.1, discs 1-6) 000350511 02842 $$aID700A-02$$bTeaching Company (v.2, discs 7-12) 000350511 02842 $$aPB700A$$bTeaching Company (book) 000350511 035__ $$a(OCoLC)ocn605408425 000350511 035__ $$a350511 000350511 040__ $$aCNCGM$$cCNCGM$$dAUW$$dNDD 000350511 049__ $$aISEA 000350511 05014 $$aMT90$$b.G74 2006 000350511 1001_ $$aGreenberg, Robert,$$d1954- 000350511 24500 $$aHow to listen to and understand great music$$h[videorecording] /$$cThe Teaching Company. 000350511 24618 $$aGreat music 000350511 250__ $$a3rd ed. 000350511 260__ $$aChantilly, Va. :$$bTeaching Company,$$cc2006. 000350511 300__ $$a12 videodiscs (ca. 45 min. ea.) :$$bsd., col. ;$$c4 3/4 in. +$$e1 guidebook (viii, 298 p. : ill. ; 19 cm.) 000350511 4901_ $$aGreat courses, fine arts & music 000350511 500__ $$aCourse no. 700 -- Disc labels. 000350511 5050_ $$gPart 1. Lecture 1.$$tMusic as a mirror ;$$gLecture 2.$$tSources--the ancient world and the early church ;$$gLecture 3.$$tMiddle Ages ;$$gLecture 4.$$tIntroduction to the Renaissance ;$$gLecture 5.$$tRenaissance mass ;$$gLecture 6.$$tMadrigal ;$$gLecture 7.$$tIntroduction to the Baroque era ;$$gLecture 8.$$tStyle features of Baroque-era music. 000350511 5050_ $$gPart 2.$$gLecture 9.$$tNational styles--Italy and Germany ;$$gLecture 10.$$tFugue ;$$gLecture 11.$$tBaroque opera, pt. 1 ;$$gLecture 12,$$tBaroque opera, pt. 2 ;$$gLecture 13.$$tOratorio ;$$gLecture 14.$$tLutheran Church cantata ;$$gLecture 15.$$tPassacaglia ;$$gLecture 16.$$tRitornello form and the Baroque concerto. 000350511 5050_ $$gPart 3.$$gLecture 17.$$tEnlightenment and an introduction to the classical era ;$$gLecture 18.$$tViennese classical style--homophony and cadence ;$$gLecture 19.$$tClassical-era form--theme and variations ;$$gLecture 20.$$tClassical-era form--minuet and trio : Baroque antecedents ;$$gLecture 21.$$tClassical-era form--minuet and trio form ;$$gLecture 22.$$tClassical-era form--rondo form ;$$gLecture 23.$$tClassical-era form--sonata form, pt. 1 ;$$gLecture 24.$$tClassical-era form--sonata form, pt. 2. 000350511 5050_ $$gPart 4.$$gLecture 25.$$tClassical-era form--Sonata form, pt. 3 ;$$gLecture 26.$$tSymphony--music for every person ;$$gLecture 27.$$tSolo concerto ;$$gLecture 28.$$tClassical-era opera--the rise of opera buffa ;$$gLecture 29.$$tClassical-era opera, pt. 2--Mozart and the operatic ensemble ;$$gLecture 30.$$tFrench Revolution and an introduction to Beethoven ;$$gLecture 31.$$tBeethoven's Symphony no. 5 in C minor, op. 67, pt. 1 ;$$gLecture 32.$$tBeethoven's symphony no. 5 in C minor, op. 67, pt. 2. 000350511 5050_ $$gPart 5.$$gLecture 33.$$tIntroduction to romanticism ;$$gLecture 34.$$tFormal challenges and solutions in early romantic music ;$$gLecture 35.$$tProgram symphony--Berlioz's Symphonie fantastique, pt. 1 ;$$gLecture 36.$$tProgram symphony--Berlioz's Symphonie fantastique, pt. 2 ;$$gLecture 37.$$t19th-century Italian opera--bel canto opera ;$$gLecture 38.$$t19th-century Italian opera--Giuseppe Verdi ;$$gLecture 39.$$t19th-century opera--nationalism and experimentation ;$$gLecture 40.$$t19th-century German opera--Richard Wagner. 000350511 5050_ $$gPart 6.$$gLecture 41.$$tConcert overture, pt. 1 ;$$gLecture 42.$$tConcert overture, pt. 2 ;$$gLecture 43.$$tRomantic-era musical nationalism ;$$gLecture 44.$$tRussian nationalism ;$$gLecture 45.$$tIntroduction to early 20th-century modernism ;$$gLecture 46.$$tEarly 20th-century modernism--Claude Debussy ;$$gLecture 47.$$tEarly 20th-century modernism--Igor Stravinsky ;$$gLecture 48.$$tEarly 20th-century modernism--Arnold Schönberg. 000350511 5110_ $$aLecturer: Professor Robert Greenberg, San Francisco performances. 000350511 520__ $$aPresents a history and criticism of music and how to listen and appreciate it. 000350511 538__ $$aDVD. 000350511 650_0 $$aMusic$$yTo 500$$xHistory and criticism. 000350511 650_0 $$aMusic$$y500-1400$$xHistory and criticism. 000350511 650_0 $$aMusic$$y16th century$$xHistory and criticism. 000350511 650_0 $$aMusic$$y17th century$$xHistory and criticism. 000350511 650_0 $$aMusic appreciation. 000350511 655_7 $$aFilmed lectures.$$2lcgft 000350511 7102_ $$aTeaching Company. 000350511 830_0 $$aGreat courses (DVD) 000350511 85201 $$bdvd$$hMT90$$i.G74$$i2006 000350511 86631 $$av.1-v.2 000350511 86731 $$aSuppl. 000350511 909CO $$ooai:library.usi.edu:350511$$pGLOBAL_SET 000350511 980__ $$aBIB 000350511 980__ $$aDVD