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000351020 1001_ $$aStowe, David W.$$q(David Ware)
000351020 24510 $$aNo sympathy for the devil$$h[electronic resource] :$$bChristian pop music and the transformation of American evangelicalism /$$cDavid W. Stowe.
000351020 260__ $$aChapel Hill [N.C.] :$$bUniversity of North Carolina Press,$$cc2011.
000351020 300__ $$a1 online resource (291 p.) :$$bill.
000351020 504__ $$aIncludes bibliographical references and index.
000351020 5050_ $$aJesus on the beach -- Jesus on Broadway -- Godstock -- Soul on Christ -- Hollywood's gospel road -- Let's get married -- Shock absorbers -- Year of the evangelical -- Crises of confidence -- Last days.
000351020 506__ $$aAccess limited to authorized users.
000351020 520__ $$aIn this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier generation, the idea of combining conservative Christianity with rock--and its connotations of nonreligious, if not antireligious, attitudes--may have seemed impossible. Today, however, Christian rock and pop comprises the music of worship for millions of Christians in the United States, with recordings outselling classical, jazz, and New Age music combined. Shining a light on many of the artists and businesspeople key to the development of Christian rock, Stowe shows how evangelicals adapted rock and pop in ways that have significantly affected their religion's identity and practices. The chart-topping, spiritually inflected music created a space in popular culture for talk of Jesus, God, and Christianity, thus lessening for baby boomers and their children the stigma associated with religion while helping to fill churches and create new modes of worship. Stowe argues that, in the four decades since the Rolling Stones first unleashed their hit song "Sympathy for the Devil," the increasing acceptance of Christian pop music by evangelicals ultimately has reinforced a variety of conservative cultural, economic, theological, and political messages. - Publisher.
000351020 588__ $$aDescription based on print version record.
000351020 650_0 $$aContemporary Christian music$$zUnited States$$xHistory and criticism.
000351020 650_0 $$aPopular music$$zUnited States$$xReligious aspects.
000351020 650_0 $$aEvangelicalism$$zUnited States.
000351020 655_7 $$aElectronic books.$$2lcsh
000351020 77608 $$iPrint version:$$aStowe, David W. (David Ware)$$tNo sympathy for the devil.$$dChapel Hill [N.C.] : University of North Carolina Press, c2011$$z9780807834589$$w(DLC) 2010041422$$w(OCoLC)668197728
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000351020 909CO $$ooai:library.usi.edu:351020$$pGLOBAL_SET
000351020 980__ $$aEBOOK
000351020 980__ $$aBIB
000351020 982__ $$aEbook
000351020 983__ $$aOnline