000351429 000__ 03540cam\a2200421\a\4500 000351429 001__ 351429 000351429 005__ 20210513125915.0 000351429 006__ m\\\\\\\\u\\\\\\\\ 000351429 007__ cr\cn\nnnunnun 000351429 008__ 110519s2010\\\\nyua\\\\ob\\\\001\0\eng\d 000351429 010__ $$z 2010027511 000351429 019__ $$a708566862 000351429 020__ $$a9780230299092 (electronic bk.) 000351429 020__ $$z9780230275614 000351429 035__ $$a(OCoLC)ocn696332309 000351429 035__ $$a(CaPaEBR)ebr10445577 000351429 035__ $$a351429 000351429 040__ $$aCaPaEBR$$cCaPaEBR 000351429 05014 $$aPR2976$$b.K646 2010eb 000351429 08204 $$a822.3/3$$222 000351429 24500 $$aKnowing Shakespeare$$h[electronic resource] :$$bsenses, embodiment and cognition /$$cedited by Lowell Gallagher and Shankar Raman. 000351429 260__ $$aHoundmills, Basingstoke, Hampshire ;$$aNew York :$$bPalgrave Macmillan,$$c2010. 000351429 300__ $$a1 online resource (ix, 270 p.) :$$bill. 000351429 440_0 $$aPalgrave Shakespeare studies 000351429 500__ $$aDescription based on print version record. 000351429 504__ $$aIncludes bibliographical references and index. 000351429 5050_ $$aMacbeth and the perils of conjecture / Sean H. McDowell -- Eying and wording in Cymbeline / Bruce R. Smith -- 'O, she's warm' : touch in The winter's tale / Evelyn Tribble -- Falling into extremity / Patricia Cahill -- Roman world, Egyptian earth : cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane -- Hamlet in motion / Shankar Raman -- Artifactual knowledge in Hamlet / Howard Marchitello -- 'Rich eyes and poor hands' : theaters of early modern experience / Adam Rzepka -- 'Repeat to me the words of the echo' : listening to The tempest / Allison Kay Deutermann -- Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson. 000351429 506__ $$aAccess limited to authorized users. 000351429 520__ $$aKnowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare. 000351429 60010 $$aShakespeare, William,$$d1564-1616$$xCriticism and interpretation. 000351429 650_0 $$aSenses and sensation in literature. 000351429 655_0 $$aElectronic books. 000351429 7001_ $$aGallagher, Lowell,$$d1953- 000351429 7001_ $$aRaman, Shankar. 000351429 77608 $$iPrint version:$$tKnowing Shakespeare.$$dHoundmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2010$$z9780230275614$$w(DLC) 2010027511$$w(OCoLC)646112103 000351429 8520_ $$bacq 000351429 85280 $$bebk$$hProquest Ebook Central 000351429 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=652437$$zOnline access 000351429 909CO $$ooai:library.usi.edu:351429$$pGLOBAL_SET 000351429 980__ $$aEBOOK 000351429 980__ $$aBIB 000351429 982__ $$aEbook 000351429 983__ $$aOnline