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000359344 001__ 359344
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000359344 008__ 080130s2008\\\\miua\\\\sb\\\\001\0\eng\\
000359344 010__ $$z  2008004436
000359344 020__ $$z9781604730821 (cloth : alk. paper)
000359344 035__ $$a(CaPaEBR)ebr10282573
000359344 035__ $$a(OCoLC)646803329
000359344 040__ $$aCaPaEBR$$cCaPaEBR
000359344 043__ $$as-bl---$$af------
000359344 05014 $$aML3487.B7$$bH46 2008eb
000359344 08204 $$a781.64089/96981$$222
000359344 1001_ $$aHenry, Clarence Bernard.
000359344 24510 $$aLet's make some noise$$h[electronic resource] :$$baxé and the African roots of Brazilian popular music /$$cClarence Bernard Henry.
000359344 260__ $$aJackson :$$bUniversity Press of Mississippi,$$cc2008.
000359344 300__ $$axi, 234 p. :$$bill. ;$$c24 cm.
000359344 504__ $$aIncludes bibliographical references (p. 211-226) and index.
000359344 5050_ $$aSacred/secular influences: the reinvention of West African àsé in Brazil -- From the sacred to the secular: popularizing candomblé rhythms -- Axé embodiment in Brazilian popular music: sacred themes, imagery, and symbols -- The sacred/secular popularity of drums and drummers -- Secular impulses: dancing to the beats of different drummers -- Say it loud! I'm Black and I'm proud: popular music and axé embodiment in Bahian carnival/ijexá -- Stylizing axé as Brazilian popular music.
000359344 506__ $$aAccess limited to authorized users.
000359344 650_0 $$aPopular music$$zBrazil$$xAfrican influences.
000359344 650_0 $$aCandomblé music$$xHistory and criticism.
000359344 655_7 $$aElectronic books.$$2lcsh
000359344 85280 $$bebk$$hProquest Ebook Central Academic Complete
000359344 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10282573$$zOnline Access
000359344 909CO $$ooai:library.usi.edu:359344$$pGLOBAL_SET
000359344 980__ $$aEBOOK
000359344 980__ $$aBIB
000359344 982__ $$aEbook
000359344 983__ $$aOnline