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Table of Contents
1 Familiar size and the perception of depth
2 A quantitative approach to figural "goodness"
3 Apparent spatial arrangement and perceived brightness
4 Perception: toward the recovery of a definition
5 The psychophysics of pictorial perception
6 Pictorial recognition as an unlearned ability: a study of one child's performance
7 Recognition of faces
8 In the mind's eye
9 Attention, organization, and consciousness
10 Components of literacy
11 Reading as an intentional behavior
12 The representation of things and people
13 Higher-order stimuli and inter-response coupling in the perception of the visual world
14 Film cutting and visual momentum
15 Pictorial functions and perceptual structures
16 Levels of perceptual organization
17 How big is a stimulus
18 From perception: experience and explanations
19 The perception of pictorial representations
20 Movies in the mind's eye
21 Looking ahead (one glance at a time)
22 The piecemeal, constructive, and schematic nature of perception
23 Hochberg: a perceptual psychologist
24 Mental schemata and the limits of perception
25 Integration of visual information across saccades
26 Scene perception: the world through a window
27 "How big is a stimulus?": learning about imagery by studying perception
28 How big is an optical invariant?: limits of tau in time-to-contact judgments
29 Hochberg and inattentional blindness
30 Framing the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson
31 On the internal consistency of perceptual organization
32 Piecemeal perception and Hochberg's window: grouping of stimulus elements over distances
33 The resurrection of simplicity in vision
34 Shape constancy and perceptual simplicity: Hochberg's fundamental contributions
35 Constructing and interpreting the world in the cerebral hemispheres
36 Segmentation, grouping, and shape: some Hochbergian questions
37 Ideas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception
38 On the cognitive ecology of the cinema
39 Hochberg on the perception of pictures and of the world
40 Celebrating the usefulness of pictorial information in visual perception
41 Mental structure in experts' perception on human movement
Julian Hochberg: biography and bibliography.
2 A quantitative approach to figural "goodness"
3 Apparent spatial arrangement and perceived brightness
4 Perception: toward the recovery of a definition
5 The psychophysics of pictorial perception
6 Pictorial recognition as an unlearned ability: a study of one child's performance
7 Recognition of faces
8 In the mind's eye
9 Attention, organization, and consciousness
10 Components of literacy
11 Reading as an intentional behavior
12 The representation of things and people
13 Higher-order stimuli and inter-response coupling in the perception of the visual world
14 Film cutting and visual momentum
15 Pictorial functions and perceptual structures
16 Levels of perceptual organization
17 How big is a stimulus
18 From perception: experience and explanations
19 The perception of pictorial representations
20 Movies in the mind's eye
21 Looking ahead (one glance at a time)
22 The piecemeal, constructive, and schematic nature of perception
23 Hochberg: a perceptual psychologist
24 Mental schemata and the limits of perception
25 Integration of visual information across saccades
26 Scene perception: the world through a window
27 "How big is a stimulus?": learning about imagery by studying perception
28 How big is an optical invariant?: limits of tau in time-to-contact judgments
29 Hochberg and inattentional blindness
30 Framing the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson
31 On the internal consistency of perceptual organization
32 Piecemeal perception and Hochberg's window: grouping of stimulus elements over distances
33 The resurrection of simplicity in vision
34 Shape constancy and perceptual simplicity: Hochberg's fundamental contributions
35 Constructing and interpreting the world in the cerebral hemispheres
36 Segmentation, grouping, and shape: some Hochbergian questions
37 Ideas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception
38 On the cognitive ecology of the cinema
39 Hochberg on the perception of pictures and of the world
40 Celebrating the usefulness of pictorial information in visual perception
41 Mental structure in experts' perception on human movement
Julian Hochberg: biography and bibliography.