000370537 000__ 01630cam\a2200349Ia\4500 000370537 001__ 370537 000370537 005__ 20210513132802.0 000370537 006__ m\\\\\o\\d\\\\\\\\ 000370537 007__ cr\cn\nnnunnun 000370537 008__ 001122s2001\\\\mdu\\\\\ob\\\\001\0\eng\d 000370537 010__ $$z 00012618 000370537 020__ $$z0801867231 000370537 020__ $$z9780801867231 000370537 020__ $$a9780801876172 (electronic book) 000370537 035__ $$a(CaPaEBR)ebr10021687 000370537 035__ $$a(OCoLC)646712782 000370537 040__ $$aCaPaEBR$$cCaPaEBR 000370537 05014 $$aPQ283$$b.J46 2001eb 000370537 08204 $$a840.9/12$$221 000370537 1001_ $$aJenson, Deborah. 000370537 24510 $$aTrauma and its representations$$h[electronic resource] :$$bthe social life of mimesis in post-revolutionary France /$$cDeborah Jenson. 000370537 260__ $$aBaltimore :$$bJohns Hopkins University Press,$$cc2001. 000370537 300__ $$a1 online resource (x, 294 p.) 000370537 504__ $$aIncludes bibliographical references (p. 259-279) and index. 000370537 5050_ $$aIconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism. 000370537 506__ $$aAccess limited to authorized users. 000370537 63000 $$aMimesis. 000370537 650_0 $$aFrench literature$$y19th century$$xHistory and criticism. 000370537 650_0 $$aMimesis in literature. 000370537 85280 $$bebk$$hProquest Ebook Central Academic Complete 000370537 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10021687$$zOnline Access 000370537 909CO $$ooai:library.usi.edu:370537$$pGLOBAL_SET 000370537 980__ $$aEBOOK 000370537 980__ $$aBIB 000370537 982__ $$aEbook 000370537 983__ $$aOnline