Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham.
Latham, Edward David.
2008
MT95 .L37 2008eb
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Title Tonality as drama [electronic resource] : closure and interruption in four twentieth-century American operas / Edward D. Latham.
Author Latham, Edward David.
ISBN 9781574412499 (cloth : alk. paper)
Imprint Denton, Tex. : University of North Texas Press, c2008.
Language English
Description xv, 221 p. : ill. ; 24 cm.
Call Number MT95 .L37 2008eb
Dewey Decimal Classification 782.10973
Bibliography, etc. Note Includes bibliographical references (p. 193-210) and index.
Access Note Access limited to authorized users.
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Record Appears in Online Resources > Ebooks
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Tonality as drama: an introduction
Dramatic closure: the Stanislavsky system and the attainment of character objectives
Tonal closure: a Schenkerian approach to tonal drama
The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911)
The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935)
The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947)
The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

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