000384751 000__ 01535cam\a2200385Ia\4500 000384751 001__ 384751 000384751 005__ 20210513134824.0 000384751 006__ m\\\\\\\\u\\\\\\\\ 000384751 007__ cr\cn||||||||| 000384751 008__ 090722s2010\\\\nyua\\\\sb\\\\001\0\eng\d 000384751 010__ $$z 2009030334 000384751 020__ $$z9780814716915 (cl : alk. paper) 000384751 020__ $$z0814716911 (cl : alk. paper) 000384751 020__ $$z9780814716922 (pb : alk. paper) 000384751 020__ $$z081471692X (pb : alk. paper) 000384751 035__ $$a(CaPaEBR)ebr10356703 000384751 035__ $$a(OCoLC)647835894 000384751 040__ $$aCaPaEBR$$cCaPaEBR 000384751 05014 $$aML3917.U6$$bC46 2010eb 000384751 08204 $$a781.64089/68861075938$$222 000384751 1001_ $$aCepeda, María Elena. 000384751 24510 $$aMusical imagiNation$$h[electronic resource] :$$bU.S.-Colombian identity and the Latin music boom /$$cMaría Elena Cepeda. 000384751 260__ $$aNew York :$$bNew York University Press,$$c2010. 000384751 300__ $$axii, 255 p. :$$bill. 000384751 504__ $$aIncludes bibliographical references and index. 000384751 506__ $$aAccess limited to authorized users. 000384751 650_0 $$aMusic$$xSocial aspects$$zUnited States$$xHistory$$y20th century. 000384751 650_0 $$aPopular music$$zFlorida$$zMiami$$xHistory and criticism. 000384751 650_0 $$aPopular music$$zColombia$$xHistory and criticism. 000384751 650_0 $$aMusic trade$$zFlorida$$zMiami. 000384751 650_0 $$aIdentity (Psychology) and mass media. 000384751 655_7 $$aElectronic books.$$2lcsh 000384751 85280 $$bebk$$hProquest Ebook Central Academic Complete 000384751 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10356703$$zOnline Access 000384751 909CO $$ooai:library.usi.edu:384751$$pGLOBAL_SET 000384751 980__ $$aEBOOK 000384751 980__ $$aBIB 000384751 982__ $$aEbook 000384751 983__ $$aOnline