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000390008 010__ $$z  2004003478
000390008 020__ $$z0520241843 (cloth : alk. paper)
000390008 020__ $$z0520241851 (pbk. : alk. paper)
000390008 035__ $$a(CaPaEBR)ebr10068555
000390008 035__ $$a(OCoLC)646723643
000390008 040__ $$aCaPaEBR$$cCaPaEBR
000390008 05014 $$aML200.5$$b.H83 2004eb
000390008 08204 $$a780/.86/640973$$222
000390008 1001_ $$aHubbs, Nadine.
000390008 24514 $$aThe queer composition of America's sound$$h[electronic resource] :$$bgay modernists, American music, and national identity /$$cNadine Hubbs.
000390008 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2004.
000390008 300__ $$axi, 282 p. :$$bill. ;$$c24 cm.
000390008 504__ $$aIncludes bibliographical references (p. 249-263), discography (p. 265), and index.
000390008 5050_ $$aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).
000390008 506__ $$aAccess limited to authorized users.
000390008 650_0 $$aMusic$$zUnited States$$y20th century$$xHistory and criticism.
000390008 650_0 $$aNational music$$zUnited States$$xHistory and criticism.
000390008 650_0 $$aGay composers$$zUnited States.
000390008 655_7 $$aElectronic books.$$2lcsh
000390008 85280 $$bebk$$hProquest Ebook Central Academic Complete
000390008 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10068555$$zOnline Access
000390008 909CO $$ooai:library.usi.edu:390008$$pGLOBAL_SET
000390008 980__ $$aEBOOK
000390008 980__ $$aBIB
000390008 982__ $$aEbook
000390008 983__ $$aOnline