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Introduction : Modernism and the masculinist impulse
Toomer's male prison and the spectatorial artist
Of silent strivings : Cane's mute and dreaming dictie
Hurston's masculinist critique of the South
Zora Neale Hurston and the romance of the supernature
Promised lands : the new Jerusalem's inner city and John Edgar Wideman's Philadelphia story
Where and when we enter : closing the gap in Morrison's Beloved and Naylor's Mama Day.

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