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Defining theatrical event and audience research
Spectatorship social audiences, and risk: Shakespeare and the Q theatre
Imagining audiences: the Eyre-Griffiths productions of The cherry orchard
The "reading Chekhov" project: social audiences and reading formations
The theatrical event: inner and outer audience frames
Contextual theatricality: the theatrical event as occasion and place
Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard
Playing culture: pleasurable play in The free state and The cherry orchard
Theatrical playing: Much Ado, mediatization and "liveness".

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