000394758 000__ 01345cam\a22003494a\4500
000394758 001__ 394758
000394758 005__ 20210513140553.0
000394758 006__ m\\\\\\\\u\\\\\\\\
000394758 007__ cr\cn|||||||||
000394758 008__ 060517r20061991mnua\\\\sb\\\s001\0\eng\\
000394758 010__ $$z  2006015938
000394758 015__ $$aGBA674922$$2bnb
000394758 0167_ $$z013542049$$2Uk
000394758 020__ $$z0816649707 (pbk. : alk. paper)
000394758 020__ $$z9780816649709 (pbk. : alk. paper)
000394758 035__ $$a(CaPaEBR)ebr10202553
000394758 035__ $$a(OCoLC)647686442
000394758 040__ $$aCaPaEBR$$cCaPaEBR
000394758 05014 $$aPN1995$$b.C63 2006eb
000394758 08204 $$a791.4309$$222
000394758 1001_ $$aConley, Tom.
000394758 24510 $$aFilm hieroglyphs$$h[electronic resource] :$$bruptures in classical cinema /$$cTom Conley, with a new Introduction.
000394758 260__ $$aMinneapolis :$$bUniversity of Minnesota Press,$$cc2006.
000394758 300__ $$axix, 252 p. :$$bill. ;$$c23 cm.
000394758 500__ $$aOriginally published: Minneapolis : University of Minnesota Press, 1991.
000394758 504__ $$aIncludes bibliographical references (p. 217-241) and index.
000394758 506__ $$aAccess limited to authorized users.
000394758 650_0 $$aMotion picture plays$$xHistory and criticism.
000394758 655_7 $$aElectronic books.$$2lcsh
000394758 85280 $$bebk$$hProquest Ebook Central Academic Complete
000394758 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10202553$$zOnline Access
000394758 909CO $$ooai:library.usi.edu:394758$$pGLOBAL_SET
000394758 980__ $$aEBOOK
000394758 980__ $$aBIB
000394758 982__ $$aEbook
000394758 983__ $$aOnline