000400429 000__ 01106cam\a2200325Ia\4500
000400429 001__ 400429
000400429 005__ 20210513141434.0
000400429 006__ m\\\\\\\\u\\\\\\\\
000400429 007__ cr\cn|||||||||
000400429 008__ 830811s1984\\\\enk\\\\\sb\\\\001\0\eng\d
000400429 010__ $$z   83017365 
000400429 020__ $$z0195033949
000400429 020__ $$z0195034287 (pbk.)
000400429 035__ $$a(CaPaEBR)ebr10087160
000400429 035__ $$a(OCoLC)646736563
000400429 040__ $$aCaPaEBR$$cCaPaEBR
000400429 05014 $$aPN1995$$b.A49 1984eb
000400429 08204 $$a791.43/01$$219
000400429 1001_ $$aAndrew, Dudley,$$d1945-
000400429 24510 $$aConcepts in film theory$$h[electronic resource] /$$cDudley Andrew.
000400429 260__ $$aOxford ;$$aNew York :$$bOxford University Press,$$c1984.
000400429 300__ $$axiv, 239 p.
000400429 504__ $$aIncludes bibliography: p. 212-229 and index.
000400429 506__ $$aAccess limited to authorized users.
000400429 650_0 $$aMotion pictures$$xPhilosophy.
000400429 650_0 $$aCinematography.
000400429 655_7 $$aElectronic books.$$2lcsh
000400429 852__ $$bebk
000400429 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10087160$$zOnline Access
000400429 909CO $$ooai:library.usi.edu:400429$$pGLOBAL_SET
000400429 980__ $$aEBOOK
000400429 980__ $$aBIB
000400429 982__ $$aEbook
000400429 983__ $$aOnline