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Introduction : the popular not the public
Music hall : the middle class makes a subculture
Camp expertise : Arthur Symons, music hall, and the defense of theory
Spies and experts : Laura Ormiston Chant among late-Victorian professionals
Tales of the culture industry : professional women, mimic men, and Victorian music hall
"Spectacular" bodies : tableaux vivants at the Palace Theatre
Conclusion : Cyrene at the Alhambra.

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