000404613 000__ 01518cam\a22003854a\4500 000404613 001__ 404613 000404613 005__ 20210513142154.0 000404613 006__ m\\\\\\\\u\\\\\\\\ 000404613 007__ cr\cn||||||||| 000404613 008__ 060412s2007\\\\msu\\\\\sb\\\s001\0\eng\\ 000404613 010__ $$z 2006012430 000404613 015__ $$aGBA714986$$2bnb 000404613 0167_ $$z013678862$$2Uk 000404613 020__ $$z1578069246 (cloth : alk. paper) 000404613 020__ $$z9781578069248 (hbk.) 000404613 035__ $$a(CaPaEBR)ebr10218390 000404613 035__ $$a(OCoLC)648357684 000404613 040__ $$aCaPaEBR$$cCaPaEBR 000404613 043__ $$an-us--- 000404613 05014 $$aML3918.J39$$bT7 2007eb 000404613 08204 $$a781.650973/09044$$222 000404613 1001_ $$aTownsend, Peter,$$d1948- 000404613 24510 $$aPearl Harbor jazz$$h[electronic resource] :$$bchange in popular music in the early 1940s /$$cPeter Townsend. 000404613 250__ $$a1st ed. 000404613 260__ $$aJackson :$$bUniversity Press of Mississippi,$$c2007. 000404613 300__ $$aix, 256 p. ;$$c24 cm. 000404613 504__ $$aIncludes bibliographical references (p. 239-244) and index. 000404613 5050_ $$aSunday matinee in St. Louis -- The war -- The alley -- The road -- Disorder at the border -- The avenue -- The street -- Postscript : Black, Brown, and Beige. 000404613 506__ $$aAccess limited to authorized users. 000404613 650_0 $$aJazz$$y1941-1950$$xHistory and criticism. 000404613 650_0 $$aJazz$$xSocial aspects$$zUnited States. 000404613 655_7 $$aElectronic books.$$2lcsh 000404613 85280 $$bebk$$hProquest Ebook Central Academic Complete 000404613 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10218390$$zOnline Access 000404613 909CO $$ooai:library.usi.edu:404613$$pGLOBAL_SET 000404613 980__ $$aEBOOK 000404613 980__ $$aBIB 000404613 982__ $$aEbook 000404613 983__ $$aOnline