000407674 000__ 01503cam\a22003254a\4500 000407674 001__ 407674 000407674 005__ 20210513142724.0 000407674 006__ m\\\\\\\\u\\\\\\\\ 000407674 007__ cr\cn||||||||| 000407674 008__ 050307s2006\\\\nyua\\\\sb\\\\001\0\eng\\ 000407674 010__ $$z 2005006672 000407674 020__ $$z0195151976 (hardcover) 000407674 035__ $$a(CaPaEBR)ebr10160505 000407674 035__ $$a(OCoLC)648133379 000407674 040__ $$aCaPaEBR$$cCaPaEBR 000407674 05014 $$aML410.M9$$bW23 2006eb 000407674 08204 $$a782.1/092$$222 000407674 1001_ $$aWaldoff, Jessica Pauline,$$d1964- 000407674 24510 $$aRecognition in Mozart's operas$$h[electronic resource] /$$cJessica Waldoff. 000407674 260__ $$aNew York :$$bOxford University Press,$$c2006. 000407674 300__ $$axii, 337 p. :$$bill. ;$$c24 cm. 000407674 504__ $$aIncludes bibliographical references (p. [313]-324) and index. 000407674 5050_ $$aOperatic enlightenment in Die Zauberflöte -- Recognition scenes in theory and practice -- Reading opera for the plot -- Sentimental knowledge in La finta giardiniera -- Recognition denied in Don Giovanni -- Sense and sensibility in Cosi fan tutte -- Fiordiligi : a woman of feeling -- The sense of the ending in La clemenza di Tito. 000407674 506__ $$aAccess limited to authorized users. 000407674 60010 $$aMozart, Wolfgang Amadeus,$$d1756-1791.$$tOperas. 000407674 650_0 $$aOpera$$y18th century. 000407674 655_7 $$aElectronic books.$$2lcsh 000407674 852__ $$bebk 000407674 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10160505$$zOnline Access 000407674 909CO $$ooai:library.usi.edu:407674$$pGLOBAL_SET 000407674 980__ $$aEBOOK 000407674 980__ $$aBIB 000407674 982__ $$aEbook 000407674 983__ $$aOnline